This book studies family life and gender broadly within Italy, not just one region or city, from the fourteenth through the seventeenth centuries. Paternal control of the household was paramount in Italian life at this time, with control of property and even marital choices and career paths laid out for children and carried out from beyond the grave by means of written testaments. However, the reality was always more complex than a simple reading of local laws and legal doctrines would seem to permit, especially when there were no sons to step forward as heirs. Family disputes provided an opening for legal ambiguities to redirect property and endow women with property and means of control. This book uses the decisions of lawyers and judges to examine family dynamics through the lens of law and legal disputes.
The only comparative study of marriage cases in church courts is the important work of Charles Donahue drawing on records from England, France, and Belgium. Ending with a brief comparison to studies of Italian courts, Donahue offers his ...
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These essays, however, transcend the traditional period labels of “Renaissance” and “Baroque” by addressing works from Duccio and Chaucer to Velazquez and Newton as a single continuum, inclusive in terms of both disciplinary and ...
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600.
On the connection to Last Supper scenes in monasteries, see Morse, “Creating Sacred Space,” 162 and Nicolas Penny, The Sixteenth-Century Italian Paintings, vol. 2, Venice, 1540–1600 (London: National Gallery, ...
This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of ...
These essays on the problems and functions of biography - particularly those of writers, thinkers and artists - investigate a subject of enduring importance for those interested in culture.
This wide-ranging volume charts the ever-present conflicts that arose and were a constant feature of family life.
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Other than Pollaiuolo, who seems to have been interested in engraving only briefly,the designs of early Florentine engravings have been associated with Ghiberti,Fra Filippo Lippi,and Baldovinetti,but purely on the basis of style.