The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
Marcel Rosenblatt's antic Puck also confirms the post - modernist understanding of the dream as always on the edge of a nightmare . Far away from Central Park in Johannesburg , South Africa , former RSC actress Janet Suzman , herself a ...
This comprehensive guide covers approximately 400 feature-length films, documentaries, spin-offs, educational films, and excerpts of Shakespeare's plays. A full entry is provided for each major film, including cast, credits, and...
This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and ...
Marketing Shakespeare in Hollywood Reading Shakespeare adaptations historically shifts the focus from the play or ... These were marketed as the 'first' films of Shakespeare, in spite of their silent predecessors.13 It seems that the ...
Edward Fitzgerald. London: Gollancz, 1951. Storr, Anthony, Freud. Oxford: Oxford University Press, 1989. Strachey, William, 'A true repertorie of the wracke and redemption of Sir Thomas Gates, Knight' (1610), in Purchas his Pilgrimes.
Indeed, the story Crowl and Rothwell tell functions somewhat like a redemption narrative. Branagh takes the torch passed by his master-mentor, Olivier, and brings light from the darkness of the two preceding decades – construed as “a ...
Deborah Cartmell focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. The author discusses a wide range of Shakespearean films from 1952 to 1999.
London: Hutchinson, 1952. 153-60 (esp. 155-58). [A rare still from this lost film and ... “La parola e l'azione: Macbeth e ilcinema.” Shakespeare e gli inganni del cinema. Piccola Biblioteca Shakespeariana 25. Rome: Bulzoni, 2002.
This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum.
( A musical comedy which includes an abbreviated version of the ' Once more unto the breach , dear friends ' speech at a board meeting . ) D3 . His Kind of Woman . Dir . John Farrow ( USA , 1951 ) . D4 . The Blackboard Jungle . Dir .