This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.
It follows that positioning on stage (or over or under it) can, if so relevant, convey meaning in a non-verbal way. ... It was a Renaissance cliché that 'poetry was a speaking picture and picture a silent poem' – indeed, ...
Theatre 17.2 (2014): 167–86. Astington, John. Stage and Picture in the English Renaissance: The Mirror Up to Nature. Cambridge: Cambridge University Press, 2017. Baldo, Jonathan. “Necromancing the Past in Henry VIII.
Stage and Picture in the English Renaissance: The Mirror up to Nature. Cambridge: Cambridge University Press. Aristotle. 2013. Poetics. Translated by Anthony Kenny. Oxford: Oxford University Press. Belsey, Catherine. 2012.
Post-Reformation English Catholic school drama is gradually being factored into our picture of English Renaissance theatre, necessitating a paradigm shift."9 We are used to thinking of the Renaissance English theatre as an environment ...
This text explores the perceived discrepancy between outward appearance and inward disposition which, it argues, influenced the work of many English Renaissance dramatists and poets.
Christopher Marlowe and English Renaissance Culture (Aldershot: Scolar Press; Brookfield, Vt.: Ashgate), 96–109. ... Dijksterhuis, E. J. (1986), The Mechanization of the World Picture: Pythagoras to Newton, trans.
2 I address this matter in Paul Whitfield White, Drama and Religion in English Provincial Society, ... See Bibles-online.net; see also John Astington, Stage and Picture in the English Renaissance (Cambridge: Cambridge University Press, ...
influence of Poussin on eighteenth century staging of Coriolanus, see George, “Poussin's Coriolanus,” 2–10. 16. On the drawing's costumes, see Cerasano, ... See Astington, Stage and Picture in the English Renaissance, 195. 20.
... 'from jealous eyes away to fly'.81 The final Johnson songs are the two from The Tempest: When I published Shakespeare's Songbook in 2004, I presented the settings by Johnson (or whomever) with a caveat that they were late, ...
... at length a leading article in The Irish Times (5 Aug 1904) may be found in Robert Hogan and James Kilroy, Laying the Foundations, 1902–1904, vol. II of The Modern Irish Drama: A Documentary History (Dublin: Dolmen Press, 1976). 3.