Euripides' Cyclops is the only example of Attic satyr-drama which survives intact. It is a brilliant dramatisation of the famous story from Homer's Odyssey of how Odysseus blinded the Cyclops after making him drunk. The play has much to teach us, not just about satyr-drama, but also about the reception and adaptation of Homer in classical Athens; the brutal savagery of the Homeric monster is here replaced by an ironised presentation of Athenian social custom. Problems of syntax, metre and language are fully explained, and there is a sophisticated literary discussion of the play. This edition will be of interest to advanced undergraduates and graduate students studying Greek literature, as well as to scholars.
This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama ...
In Euripides and the Gods, classicist Mary Lefkowitz sets out to show that the tragedian is not undermining ancient religion, but rather describing with a brutal realism what the gods are like, impressing upon his mortal audience the ...
These three tragedies were originally available as single volumes. This volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.
The first playwright of democracy, Euripides wrote with enduring insight and biting satire about social and political problems of Athenian life.
This is the first full-scale study of the two plays, which sheds light on plot-patterns, key themes and aspects of Euripidean dramatic technique (e.g. his rhetoric, imagery, stagecraft), as well as matters of reception and transmission of ...
This is a translation for students of Greek tragedy, particularly in courses on classics in translations or classical civilisation. It will also be useful for students of drama and of English and other literatures.
"Here Euripides stands, in vigorous English versions that fully do him justice. The most modern of the Greek tragedians has found a compelling modern form."--Robert Fagles
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This book is for all students and scholars of Greek literature, whether in departments of Classics or English or Comparative Literature, as well as those concerned with the role of women in literature.
For students, teachers and practitioners this is the best single-volume treatment of the writer's work, considering the plays for their accessibility and for their focus on issues and concerns which are as significant as ever in the modern ...