Offers a bold new argument about how Irish, American and Caribbean modernisms helped remake the twentieth-century world literary system.
The bookkeeping leitmotif here cannot fail to remind us of Max Weber, for whom double-entry bookkeeping was one of the formative instruments of early capitalist ratiocination. For Weber, and after him Sombart and Schumpeter, ...
Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India.
Finalist of the MSA First Book Prize by The Modernist Studies Association The waning British empire left behind an abundance of material relics and an inventory of feelings not easily relinquished.
... the Paris-based artist Michael Farrell drew on Celtic curvilinear designs in his abstract Pressé works but, like Robert Ballagh, gradually moved towards more figurative, highly stylized large canvases gesturing towards Pop Art, ...
This volume explores the problems and opportunities afforded by Said's work: its productive and generative capacities as well as its in-built limitations.
John Marx argues that the early twentieth century was a key moment in the emergence of modern globalization, rather than simply a period of British imperial decline.
Deep time dwarfs all human aesthetic modes and movements, but especially those arrayed around the new, the now, the moment. ... or the advent of atmospheric nuclear weapons testing, modernism has no signature type of sediment, fossil, ...
Wollaeger , The Oxford Handbook of Global Modernisms , 3 . 43. Ibid . , 5 . 44. Friedman , Planetary Modernisms , 7 . 45. Friedman believes that “ [ w ] e need to begin by abandoning the notion of modernity as a period , instead ...
Barrows finds this experimentation in works as varied as Victorian adventure novels, high modernist texts, and South Asian novels—including the work of James Joyce, Virginia Woolf, H. Rider Haggard, Bram Stoker, Rudyard Kipling, and ...
"An earlier version of chapter 1 appeared as "Avant-Garde in a Different Key: Karl Kraus's The Last Days of Mankind," Critical Inquiry 40, no. 2 (Winter 2014): 311-38."