This book re-assesses Dickinson's manuscripts, style, and statements to arrive at a historically appropriate conception of poetics. It compares her composition practices, such as variant generation and writing on already-marked scraps, with those of her peers in nineteenth-century American popular manuscript culture, tracing them to the pervasive influence of Scottish Common Sense philosophy, Hume's scepticism, and associationism in philosophy of mind and early neuroscience. The argument consults the archives and considers Dickinson's reading, in and out of school, in philosophy, rhetoric, and semiotic theory, as well as her training in inductive science and her familiarity with ideas about electricity, evolution, emotion, sympathy, and the brain. Combining close readings of poems with contextualizing information about contemporary conflicts in intellectual history, the book contends that Dickinson takes the making of poems to be her philosophical praxis. It depicts a Dickinson committed to thinking about the physical constitution of human consciousness and the historicity and materiality of one of its chief modes, language.
Introduces young readers to poetry with thirty-five well-known poems written by one of America's most renowned poets
To Jonathan Edwards as late as 1740, the contradiction was compatible, proved by the scientific discoveries of Sir Isaac Newton, and John Locke's Essay Concerning Human Understanding.
The Poems of Emily Dickinson: Including Variant Readings Critically Compared with All Known Manuscripts
The Poems of Emily Dickinson: (534 p.) ; Vol. 2 (p. 535-1118) ; Vol. 3 (p. 1119-1654)
In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, deciphering their many complex and witty ...
This reading edition derives from his three-volume work, The Poems of Emily Dickinson: Variorum Edition (1998), which contains approximately 2,500 sources for the poems.
An illustrated introduction to the poetry of Emily Dickinson.
This unabridged compilation of three series of Emily Dickinson's poetry— published between 1890 and 1896—includes such famous poems as “Because I could not stop for Death”, “I'm nobody! Who are you?”, and “Hope is the thing with ...
Share in Dickinson’s admiration of language, nature, and life and death, with The Selected Poems of Emily Dickinson.
... Dickinson, February 15, 1848 [Mount Holyoke Female Seminary] Tuesday noon. My dear Austin. Miss, Fiske. has been to my room & left word that she is going to Amherst. to night & I can send home by her if I wish. It seemed desolate enough ...