This book offers the first comprehensive survey of writing by women in Ireland from the seventeenth century to the present day. It covers literature in all genres, including poetry, drama, and fiction, as well as life-writing and unpublished writing, and addresses work in both English and Irish. The chapters are authored by leading experts in their field, giving readers an introduction to cutting edge research on each period and topic. Survey chapters give an essential historical overview, and are complemented by a focus on selected topics such as the short story, and key figures whose relationship to the narrative of Irish literary history is analysed and reconsidered. Demonstrating the pioneering achievements of a huge number of many hitherto neglected writers, A History of Modern Irish Women's Literature makes a critical intervention in Irish literary history.
... of the Irish state, Irish political culture, and the Irish mind.ʼ6 Although the fact of English dominance indisputably had a significant impact on literary culture, this does not mean that the resulting poetry is straightforward or ...
Maria P. was arrested for drunk and disorderly behaviour in 1915 while discharged on licence from Ennis ... Although she attempted to stay sober again after her arrest, by 1917 she was described as a confirmed drunkard.77 Mary ...
A History of Irish Modernism examines a wide variety of artworks (from the 1890s to the 1970s), including examples from literature, film, painting, music, radio, and architecture.
Though the short story is often regarded as central to the Irish canon, this text was the first comprehensive study of the genre for many years.
Through Connemara in a Governess Cart . London : W. H. Allen . 1894. The Real Charlotte . 1982. Reprint , London : Quartet . 1895. Beggars on Horseback . Edinburgh and London : Blackwood . 1898. The Silver Fox .
Constructing Later Life/Constructing the Body: Some Thoughts from Feminist Theory. In Critical Approaches to Ageing and Later Life, ed. Anne Jamieson, Sarah Harper, and Christina Victor, 160–72. Buckingham: open University Press.
These essays interrogate gender as a concept which encompasses both masculinity and femininity, and which permeates history and literature, culture and society in the modern period.
The lad came to where his brothers were , and told them than he had not found water . Then Ailill went to get water , chanced on the same well , refused to kiss the hag , and returned without water .
On Christmas Eve, in the story of that title, he also becomes momentarily reconciled with his home when listening to Delia and the children talking in a different room: “He had often thought the house cramped, and imagined it held him ...
Kearney and Headrick strive to shift the spotlight with Irish Women Dramatists. The plays collected in this volume represent a cross-section of the excellent dramatic output of Irish women writing in the twentieth century.