The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.
It is probable that, although the worldviews of Neolithic tomb builders across north-western Europe were similar, ... The Chambered Tombs of SouthWest Wales: A Re-assessment of the Neolithic Burial Monuments of Carmarthenshire and ...
Rather than offer a comprehensive survey, this is an extended essay about the strengths and weaknesses of current thinking regarding specialised deposits, which encompass both sacrificial deposits characterised by large quantities of animal ...
Prehistoric Rock Art in Cumbria. Stroud: Tempus. Bewley, R.H., 1994. Prehistoric and Romano-British Settlement in the Solway, Cumbria. Oxford: Oxbow. Bradley, R., 1997. Rock Art and the Prehistory of Atlantic Europe: Signing the Land.
In this way, this volume reinvigorates approaches taken towards older material but also acts as a springboard for future innovative discussions of theory in archaeology and related disciplines.
examples like those at Ballynahatty (Hartwell 1998), Armalughey (Carlin 2018, 137–44), and Machrie Moor (Haggarty 1991). The first of these was inside a palisaded enclosure, but the others were freestanding (Fig. 20).
Prehistoric copper mining in Europe: 5500-500 BC. Oxford: Oxford University Press. Odriozola, C.P., Sousa, A.C., Boaventura, R. and Villalobos, R. 2013. Componentes de adornos de pedra verde de Vila Nova de São Pedro (Azambuja): Estudo ...
This book is concerned with the origins, uses and subsequent histories of monuments. It emphasises the time scales illustrated by these structures, and their implications for archaeological research.
Vázquez Rozas, P. 1995b. El tema de la caza y el cilindro antropomorfo en los petroglifos gallegos. Actas de XXII Congreso Nacional de Arqueología, Vigo, vol 1, 77–81. Vázquez Varela, X.M. 1990. Petroglifos de Galicia.
Where Strangers and Kinsfolk Met Bisserka Gaydarska, John Chapman. THE ARCHAEOLOGY OF EUROPE Elements in the Series A Comparative Study of Rock Art in Later Prehistoric Europe Richard Bradley Digital Innovations in European Archaeology ...
This book is about two islands off the coast of Continental Europe, the seas that surrounded them, and the ways in which they were used over a period of three thousand years.