The Cambridge Companion to Wagner's Der Ring des Nibelungen

The Cambridge Companion to Wagner's Der Ring des Nibelungen
ISBN-10
1108916139
ISBN-13
9781108916134
Category
Music
Language
English
Published
2020-08-31
Publisher
Cambridge University Press
Authors
Mark Berry, Nicholas Vazsonyi

Description

The Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner's Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as 'leitmotif', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Brünnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere.

Other editions

Similar books

  • The Cambridge Companion to Wagner
    By Thomas S. Grey

    Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact.

  • Wagner's Ring in 1848: New Translations of The Nibelung Myth and Siegfried's Death
    By Richard Wagner

    Whatever my courage tells me Is eternal law to me — And whatever my senses tell me, That is fated for me. Tell those who have sent you: No sword can cut for a coward, Only the strong can make use of its sharpness — No one will be able ...

  • The Cambridge Companion to Serialism
    By Martin Iddon

    The Cambridge Companion to Medieval Music Edited by Mark Everist The Cambridge Companion to Music and Romanticism ... to Twentieth-Century Opera Edited by Mervyn Cooke The Cambridge Companion to Wagner's Der Ring des Nibelungen Edited ...

  • The Cambridge Companion to Krautrock
    By Uwe Schütte

    ... similarly described Krautrock's soundscapes as 'so apart from everything we've ever 12 S Frith, The Sociology of Rock (London: Constable, 1978). 13 J Peel, in The Listener, 12 April 1973. 14 J Peel, The Olivetti Chronicles.

  • The Cambridge Companion to K-Pop
    By Suk-Young Kim

    ... to Twentieth-Century Opera Edited by Mervyn Cooke The Cambridge Companion to Wagner's Der Ring des Nibelungen Edited by Mark Berry and Nicholas Vazsonyi The Cambridge Companion to Women in Music since 1900 Edited by Laura Hamer ...

  • The Cambridge Companion to the Drum Kit
    By Matt Brennan, Joseph Michael Pignato, Daniel Akira Stadnicki

    An approachable introduction to the drum kit, drummers, and drumming, and the key debates surrounding the instrument and its players.

  • The Cambridge Companion to Caribbean Music
    By Nanette de Jong

    In addition to changes in the compositional form, merengue de calle also varies in its rhythm, although sometimes not as much as one would think when listening to elitist criticism of the genre. Most merengues de calle include the ...

  • The Cambridge Companion to Music and Romanticism
    By Benedict Taylor

    the twentieth century women tended to be safely siphoned off from any serious discussion of musical Romanticism, ... them unflinchingly in the eye.66 'Because the nineteenth-century lied embodies romanticism', Edward F. Kravitt argues, ...

  • The Cambridge Companion to Video Game Music
    By Tim Summers, Melanie Fritsch

    ... to Twentieth-Century Opera Edited by Mervyn Cooke The Cambridge Companion to Wagner's Der Ring des Nibelungen Edited by Mark Berry and Nicholas Vazsonyi The Cambridge Companion to Women in Music since 1900 Edited by Laura Hamer ...

  • The Cambridge Companion to Women in Music since 1900
    By Laura Hamer

    Back in 1989, Finnegan had also suggested that women felt relatively comfortable in the folk clubs she attended in ... the Folk Revival had succeeded ... but unless its fundamental concepts of the Folk and folk culture were rejected, ...