Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.
Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism.
The Rise and Fall of Modern American Conservatism tells the gripping story of perhaps the most significant political force of our time through the lives and careers of six leading figures at the heart of the movement.
in E. C. Barksdale, George Norris Green, and Harold M. Hollingsworth, eds., Essays on Recent Southern Politic (Austin: University of Texas Press, 1970), 58–59. 99. Texas Almanac: 1956–1957 (Dallas: A. H. Belo Corporation, 1955), 111.
Here, then, is the story of the rise of the modern conservative movement. Provocative and beautifully written, A Time for Choosing is a book for anyone interested in politics and history in the postwar era.
The Webster Electric Ekotape pamphlet recommends uses for the Ekotape, including “rehearsing and recording speeches, radio shows, auditions, broadcasts. Teaching languages, speech correction, music appreciation, voice training.
... wrong” (as Marcus puts it) actually points to a shared social vision, a vision in which “community” and “family” values ... Marcus joins Franzen in putting the family, what he calls the “foremost subject matter” in American fiction, ...
See also John Bellamy Foster, Marx's Ecology: Materialism and Nature (New York: Monthly Review Press, 2000). 29. Marsh's work follows in the tradition of physical geographers such as Alexander von Humboldt, whose Cosmos (1845, 1847; ...
jESSICA E. TEAGUE Sound Recording Technology and American Literature 186. BRYAN M. SANTIN Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945–2008 185. ALEXANDER MENRISKY Wild Abandon: American ...
Challenging the conventional wisdom that white flight meant nothing more than a literal movement of whites to the suburbs, this book argues that it represented a more important transformation in the political ideology of those involved.
Indeed, as Kevin M. Kruse's recent One Nation Under God: How Corporate America Invented Christian America wonderfully illuminates, in the 1930s corporate America “enlisted conservative clergymen” to “defeat the state power its ...