A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
Arriving at Aardman in the mid-1980s, Park worked on David Hopkins' anti-war short Babylon (1986); he also contributed the dancing chicken sequence to the groundbreaking video made to accompany Peter Gabriel's Sledgehammer (Stephen ...
233. 74 Ohlmeyer, Civil War and Restoration, pp. 27, 47, 75. 75 Cunningham, 'Political and Social Change', p. 285. 76 Mary O'Dowd, Power, Politics and Land: Early Modern Sligo, early modern ireland and english imperialism 47.
This is a greatly expanded new edition of the well-received survey of British cinema. In addition to twenty-four original chapters there are twelve new contributions. The new chapters greatly extend...
Star Wars– sword and sorcery upas science dressed fiction and itself highlyindebted to Tolkien –hadbriefly inspireda ... and Red Sonya (1985) were high camp mixtures of pulp, comicstrip violence,and thepeplum (Italian sword andsandal ...
The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction.
Martin McDonagh is one of the world's most popular dramatists. This is a highly readable and illuminating analysis of his career to date that will appeal to the legions of fans of his stage plays and the films Six Shooter and In Bruges.
The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. University of Chicago Press, 1984. RiZZo, Betsy. Companions Without Vows: Relationships among Eighteenth—Century ...
A comprehensive A-Z guide to British and Irish films past and present, this book includes introductory essays, biographies of film-makers, actors, actresses and other personnel, significant films, schools of thought...
It is on these terms that we will approach Irish historical documentary . The shape of history : Gael - Linn and Seán Lemass Though historical dramas abounded in the early years of Irish cinema and the theme of history and its place in ...
Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and ...