This classic book is a powerful indictment of contemporary attitudes to race. By accusing British intellectuals and politicians on both sides of the political divide of refusing to take race seriously, Paul Gilroy caused immediate uproar when this book was first published in 1987. A brilliant and explosive exploration of racial discourses, There Ain’t No Black in the Union Jack provided a powerful new direction for race relations in Britain. Still dynamite today and as relevant as ever, this Routledge Classics edition includes a new introduction by the author.
pleasures , E. P. Thompson , for example , is positively enthusiastic . He begins his pamphlet analysing the 1983 election by declaring ' whatever doubts we have , we can all think of things in the British way of life which we like ...
He argues that the triumph of the image spells death to politics and reduces people to mere symbols."--BOOK JACKET.
In London Is The Place for Me, Kennetta Hammond Perry explores how Afro-Caribbean migrants navigated the politics of race and citizenship in Britain and reconfigured the boundaries of what it meant to be both Black and British at a critical ...
First Published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.
Drawing on texts from the writings of Fanon and Orwell to Ali G. and The Office, After Empire, Paul Gilroy explores Britain's failure to come to terms with the loss of its empire and pre-eminent global standing.
Focusses on how concepts of race and racism articulate various forms of action; no Australian Aboriginal material.
An account of the location of black intellectuals in the modern world following the end of racial slavery.
Patterns of performance, theme, text and movement are analyzed in large samples of films an recordings from the whole range of human culture, according to the methods explained in this volume.
This book shows why race has become the most significant issue facing the British police, and argues that the police response to race has led to a consideration of fundamental issues about the relation of the police to society as a whole ...
J. A. Hobson's anxiety was based on the fear of an elision of patriotism (wholesome love of country) and jingoism (unhealthy xenophobia) during the Boer War, for which he held the music hall particularly responsible.