Following on from the phenomenally successful Shakespeare, The Movie, this volume brings together an invaluable new collection of essays on cinematic Shakespeares in the 1990s and beyond. Shakespeare, The Movie II: *focuses for the first time on the impact of postcolonialism, globalization and digital film on recent adaptations of Shakespeare; *takes in not only American and British films but also adaptations of Shakespeare in Europe and in the Asian diapora; *explores a wide range of film, television, video and DVD adaptations from Almereyda's Hamlet to animated tales, via Baz Luhrmann, Kenneth Branagh, and 1990s' Macbeths, to name but a few; *offers fresh insight into the issues surrounding Shakespeare on film, such as the interplay between originals and adaptations, the appropriations of popular culture, the question of spectatorship, and the impact of popularization on the canonical status of "the Bard." Combining three key essays from the earlier collection with exciting new work from leading contributors, Shakespeare, The Movie II offers sixteen fascinating essays. It is quite simply a must-read for any student of Shakespeare, film, media or cultural studies.
Shakespeare, The Movie brings together an impressive line-up of contributors to consider how Shakespeare has been adapted on film, TV, and video, and explores the impact of this popularization on the canonical status of Shakespeare.
The problem with trying to be au courant is not simply that new Shakespeare films and television programs will have ... As editors , we want to acknowledge , then , that the variety of essays in Shakespeare , The Movie , II reflects ...
This work proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author and to see how the changing cultural climate of the Elizabethans flowered into film centuries ...
Polanski's film signals even earlier than this that blood and violence will be major themes. The opening frame shows a red dawn sky bathing the sandy ridges of a seashore in the same hue, and this is only the first of many blood-red ...
Stam observes in his Subversive Pleasures: Bakhtin, Cultural Criticism, and Film that Bakhtin has relatively little to say about Shakespeare and even less about film. It is possibly because his ideas were controversial enough without ...
18 See Michael A. Morrison, John Barrymore, Shakespearean Actor (Cambridge, 1997), p. 269. I am indebted in this section to Morrison's work on Barrymore in Hollywood, pp. 259–96. 19 Heywood Brown, 'Mr Shakespeare, Meet Mr Tyson', ...
Shakespeare The Movie II : Popularizing the Plays on Film , TV , Video , and DVD . Eds . Richard Burt and Lynda E. Boose . London : Routledge , 2003. 14-36 . " U.S. Television : Introduction , Televising Shakespeares .
This new edition also features an essay on Shakespeare's language by David Crystal, and a bibliography of foundational works.
This book illustrates how Romeo and Juliet is the most shamelessly appropriated of Shakespeare's scripts for contemporary use because its plot fits so neatly into the teenage culture that has burgeoned since the late 1950s.
Shakespeare the Movie, II: Popularizing the Plays on Film, TV, Video, and DVD (London and New York: Routledge, 2003). Bogatyrev, P., Minnick, M., 'Czech Puppet Theatre and Russian Folk Theatre', TDR 43.3 (1999), 97–114.