Urban Avant-Gardes presents original research on a range of recent contemporary practices in and between art and architecture giving perspectives from a wide range of disciplines in the arts, humanities and social sciences that are seldom juxtaposed, it questions many assumptions and accepted positions. This book looks back to past avant-gardes from the nineteenth and twentieth centuries examining the theoretical and critical terrain around avant-garde cultural interventions, and profiles a range of contemporary cases of radical cultural practices. The author brings together material from a wide range of disciplines to argue for cultural intervention as a means to radical change, while recognizing that most such efforts in the past have not delivered the dreams of their perpetrators. Distinctive in that it places works of the imagination in the political and cultural context of environmentalism, this book asks how cultural work might contribute to radical social change. It is equally concerned with theory and practice - part one providing a theoretical framework and part two illustrating such frameworks with examples.
Can art or architecture change the world? Is it possible, despite successive failures, to think of a new cultural avant-garde today? What would this mean?
Is it possible to do so using images of the extant city? Seeing Symphonically shows how a group of independent experimental, documentary, and feature films made in and about late modern New York City did just this.
Art Rebellion argues that beauty is radically other to the dominant society; that power relations can be transformed; that protest cultures and contemporary art grow together; and that art has a crucial interruptive role in forming new, ...
With radical changes happening in arts over the past two decades, this book brings us up to date with the social and economic contexts in which the arts are produced.
"Adamson leads his readers through intricate debates with care and skill.
Sometimes hilarious, sometimes dreamlike, always unexpected, these texts present a compelling critique of urban life at the end of the millennium and are essential reading for all "orphans of modernism".
Although the contexts were radically different, the conflation between high and low culture in avant-garde European and ... an art that was more socially inclusive and increasingly questioned the relevance of an urban avant-garde model.
Miejska rewolta: awangarda w zbiorach Muzeum Narodowego w Warszawie
Forgács, Bauhaus Idea, 63, judges Itten to have had more power than Gropius in early 1921. 27. “Programm zur Gründung einer allgemeinen Hausbaugesellschaft auf künstlerisch einheitlicher Grundlage m.b.H.,” in Ausgewählte Schriften, ...
William Carlos Williams, A Voyage to Pagany (New York: New Directions, 1970 [1928]). 114. Peter Nicholls, 'A Homemade World? America, Europe, and Objectivist Poetry', in The Idea and the Thing in Modernist American Poetry, ed.