This book proposes a fundamental relationship between exile and mapping. It seeks to understand the cartographic imperative inherent in the exilic condition, the exilic impulses fundamental to mapping, and the varied forms of description proper to both. The vital intimacy of the relationship between exile and mapping compels a new spatial literacy that requires the cultivation of localized, dynamic reading practices attuned to the complexities of understanding space as text and texts as spatial artifacts. The collection asks: what kinds of maps do exiles make? How are they conceived, drawn, read? Are they private maps or can they be shaped collectively? What is their relationship to memory and history? How do maps provide for new ways of imagining the fractured experience of exile and offer up both new strategies for reading displacement and new displaced reading strategies? Where does exilic mapping fit into a history of cartography, particularly within the twentieth-century spatial turn? The original work that makes up this interdisciplinary collection presents a varied look at cartographic strategies employed in writing, art, and film from the pre-Contact Americas to the Renaissance to late postmodernism; the effects of exile, in its many manifestations, on cartographic textual systems, ways of seeing, and forms of reading; the challenges of traversing and mapping unstable landscapes and restrictive social and political networks; and the felicities and difficulties of both giving into the map and attempting to escape the map that provides for exile in the first place. Cartographies of Exile will be of interest to students and scholars working in literary and cultural studies; gender, sexuality, and race studies; anthropology; art history and architecture; film, performance, visual studies; and the fine arts.
... cartographies ofexileandreturn, Iwill simultaneously gesturetoward the possibility ofaZionist returnto the land not wedded to the prior conceptualization of the land as a smooth, homogeneous ... cartography of exile and return that I will.
On the impulse behind Cartographies, Marjorie Agosín writes, "I have always wanted to understand the meaning of displacement and the quest or longing for home.
There, she aended Byam Shaw School of Art from 1975 to 1979 and then the Slade School of Art from 1979 to 1981. Throughout the 1980s, she explored the human body in video and performance work, oen including materials from her own life, ...
Gmeyner creates a narrative of everyday life , which opens up space for the possibility of alternative scenarios . Irene , Nadia's friend , uses the very feminine metaphor “ darning the days as though they were stockings ” 62 for her ...
54 As we have also encountered, however, Grosz's role in the making of a German exile culture in these years before U.S. entry into the war was no less fraught than his attempt to place his career on a firm footing in the American art ...
This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world.
Piechocki calls for an examination of the idea of Europe as a geographical concept, tracing its development in the 15th and 16th centuries. What is “Europe,” and when did it...
"This book explores how Indigenous people in Mesoamerica use social networks to alter, enhance, preserve, and contribute to self-representation"--Provided by publisher.
Chakras: Energy centers of transformation. ... The future birth of the affective fact: The political ontology of threat. ... Affective geographies of transformation, exploration and adventure: Rethinking frontiers.
Both guises emerge from a 300-year-old national (U.S.) history of creating literature from multiple languages and thus promoting a global character while resisting that character through the dominance of the English language.