How does a woman become a whore? What are the discursive dynamics making a woman a whore? And, more importantly, what are the discursive mechanics of unmaking? In Women and Shakespeare’s Cuckoldry Plays: Shifting Narratives of Marital Betrayal, Cristina León Alfar pursues these questions to tease out familiar cultural stories about female sexuality that recur in the form of a slander narrative throughout William Shakespeare’s work. She argues that the plays stage a structure of accusation and defense that unravels the authority of husbands to make and unmake wives. While men’s accusations are built on a foundation of political, religious, legal, and domestic discourses about men’s superiority to, and rule over, women, whose weaker natures render them perpetually suspect, women’s bonds with other women animate defenses of virtue and obedience, fidelity and love, work loose the fabric of patrilineal power that undergirds masculine privileges in marriage, and signify a discursive shift that constitutes the site of agency within a system of oppression that ought to prohibit such agency. That women’s agency in the early modern period must be tied to the formations of power that officially demand their subjection need not undermine their acts. In what Alfar calls Shakespeare’s cuckoldry plays, women’s rhetoric of defense is both subject to the discourse of sexual honor and finds a ground on which to “shift it” as women take control of and replace sexual slander with their own narratives of marital betrayal.
8 9 10 11 12 13 →Chernaik, The Myth of Rome; →Pennacchia, Shakespeare intermediale; →Burrow, Shakespeare ... of the Female Subject in Early Modern England; →Gillen, Chaste Value; →Alfar, Women and Shakespeare's Cuckoldry Plays.
... Women in Shakespeare's Cuckoldry Plays: Shifting Narratives of Female Betrayal (New York: Routledge, 2017). On the complexity of the desire expressed at this moment in the play when this aside occurs and more generally throughout, ...
Grünenberg , K. ( 2020a ) 'Body cartographers: Mapping bodies and borders in the laboratory', in K.F. Olwig, K. Grünenberg, P. Møhl and A. Simonsen, The Biometric Border World: Technologies, Bodies and Identities on the Move , London: ...
Shakespeare, William. As You Like It. Edited by Juliet Dusinberre. London: Bloomsbury Arden Shakespeare, 2013. Shakespeare, William. ... Stellar, Jennifer E., Amie M. Gordon, Paul K. Piff, Daniel Cordaro, Craig L. Anderson, Yang Bai, ...
The book highlights the extent to which Shakespeare’s works can be seen to anticipate, and even to extend, many of the insights of the latest developments in queer theory.
The authoritative edition of Much Ado About Nothing from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.
nancy on the Stuart Stage,” in Stage Matters: Props, Bodies, and Space in Shakespearean Performance, ed. ... Cristina León Alfar, Women and Shakespeare's Cuckoldry Plays: Shifting Narratives of Marital Betrayal (New York: Routledge, ...
Her publications include: Writing Metamorphosis in Renaissance England, 1550–1700 (Cambridge University Press, 2014); Conspiracy and Virtue: Women, Writing, and Politics in Seventeenth Century England (Oxford University Press, ...
Women and Shakespeare's Cuckoldry Plays: Shifting Narratives of Marital Betrayal. New York: Routledge, 2017. ... Language as the Site of Revolt in Medieval and Early Modern England: Speaking as a Woman. New York: Palgrave, 2011.
... 1450–1690 Edited by James Daybell and Andrew Gordon Women's Somatic Training in Early Modern Spanish Theater Elizabeth Marie Cruz Petersen Women and Shakespeare's Cuckoldry Plays Shifting Narratives of Marital Betrayal Cristina León ...