Interrogating the multiple ways in which travel was narrated and mediated, by and in response to, nineteenth-century British travelers, this interdisciplinary collection examines to what extent these accounts drew on and developed existing tropes of travel. The three sections take up personal and intimate narratives that were not necessarily designed for public consumption, tales intended for a popular audience, and accounts that were more clearly linked with discourses and institutions of power, such as imperial processes of conquest and governance. Some narratives focus on the things the travelers carried, such as souvenirs from the battlefields of Britain’s imperial wars, while others show the complexity of Victorian dreams of the exotic. Still others offer a disapproving glimpse of Victorian mores through the eyes of indigenous peoples in contrast to the imperialist vision of British explorers. Swiss hotel registers, guest books, and guidebooks offer insights into the history of tourism, while new photographic technologies, the development of the telegraph system, and train travel transformed the visual, audial, and even the conjugal experience of travel. The contributors attend to issues of gender and ethnicity in essays on women travelers, South African travel narratives, and accounts of China during the Opium Wars, and analyze the influence of fictional travel narratives. Taken together, these essays show how these multiple narratives circulated, cross-fertilised, and reacted to one another to produce new narratives, new objects, and new modes of travel.
1 Steve Clark, Introduction, Travel Writing and Empire: Postcolonial Theory in Transit, ed. ... 14 Catherine Armstrong, Writing North America in the Seventeenth Century: English Representations in Print and Manuscript (Aldershot: ...
Writings from the Era of Imperial Consolidation, 1835-1910 Peter J Kitson, William Baker, Indira Ghose, Susan Schoenbauer Thurin ... Maria H. Frawley, A Wider Range: Travel Writing by Women in Victorian England (Rutherford, NJ, 1994).
A selection of narratives by Britishers who visited New York between 1815 and 1845 and who came away either loving or hating it.
Showing how specific rhetorical strategies used in nineteenth-century British travel writing produced fictional representations of continental Europe in works by Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker, Katarina Gephardt ...
... lives with those of the people in the rest of Europe in the early middle ages” (36). By taking a closer look at the Icelandic past as narrated in the sagas, Oswald feels ... literature on Scandinavia. Due to his sturdy 228 Part V Chapter Two.
Other questions of both general and critical interest, such as vestimentary display in its guise as exhibitionary colonialist language are also raised."--Jacket.
21 They impressed Ngũgĩ even as he realised they assumed a reader familiar with the convention of reading modem European novels, ... N. Bell [N. D'Anvers], Heroes of Discovery in South Africa (London: Walter Scott, (1899)), pp. 393–4.
20 Transatlantic Literature and Transitivity Subjects, Texts, and Print Culture Edited by Annika Bautz and Kathryn Gray 21 The Alice Books and the Contested Ground of the Natural World Laura White 22 The Unknown Relatives The Catholic ...
The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods.
See also Jessica Howell's Exploring Victorian Travel Literature: Disease, Race and Climate (Edinburgh: Edinburgh University Press, 2014). Henry M. Stanley, How I Found Livingstone: Travels, Adventures and Discoveries in Central Africa ...