Macao, the former Portuguese colony in southeast China from the 1550s until its return to China in 1999, has a long and very interesting history of cultural interaction between China and the West. As an entity with independent political power and a unique social setting and cultural development, the identity of Macao’s people is not only indicative of the legacy and influence of the region’s socio-historical factors and forces, but it has also been altered, transformed and maintained because of the input, action, interaction and stimulation of creative arts and literatures. Held together by racial accommodation and tolerance and active cultural interactions, Macao’s phenomenon can be characterized as hybridization. This book is a presentation of the ongoing hybridization of Macao and is in itself a hybrid, covering a wide range of issues. Putting forward substantial new research findings, the book explores the nature of cultural interaction in Macao, and how the city has been constructed and perceived through literature and other art forms. It is a companion volume to Macao – The Formation of a Global City .
This book is a presentation of the ongoing hybridization of Macao and is in itself a hybrid, covering a wide range of issues.
This book explores the nature of cultural interaction in Macao, and how the city has been represented in literature and in other art forms.
This book explores how Macao was formed over the centuries. It puts forward substantial new research findings and new thinking, and covers a wide range of issues.
The Three Ladies of Macao, premièred in December 2016, is now published as appendix in this volume.
The book provides a comprehensive view of representations of Macao as portrayed by the French. These texts in French have been studied less than Chinese or Portuguese texts on Macao.
50 51 52 76 77 78 79 António Maria Augusto de Vasconcellos, Sermão pregado na sé Cathedral de Macau no primeira domingo de ... Manuel Teixeira, A voz das pedras de Macau (Stone Voice of Macau), Macao: Imprensa Nacional, 1980, p. 192.
Singing Simpkin and Other Bawdy Jigs: Musical Comedy on the Shakespearean Stage. Exeter: University of Exeter Press, 2014. Criveller, Gianni, and Cesér Guillen Nuñez. Portrait of a Jesuit: Matteo Ricci. Macao: Macau Ricci Institute, ...
The work, titled Giraffe-Bottle-Gun, presented an artistic tornado within the architecturally challenging space. The large irregularly shaped canvases revealed massive gestural strokes in fluorescent colours creating tension against the ...
... 'from jealous eyes away to fly'.81 The final Johnson songs are the two from The Tempest: When I published Shakespeare's Songbook in 2004, I presented the settings by Johnson (or whomever) with a caveat that they were late, ...
This is a multi-author volume resulted from an international conference focusing on topics related to our understanding of the role of China in the global history.