Jews and Latinos have been unlikely partners through tumultuous times. This groundbreaking, eclectic book of readings, edited by Ilan Stavans, whom The Washington Post described as "one of our foremost cultural critics," offers a sideboard of the ups and downs of that partnership. It includes some seventy canonical authors, Jews and non-Jews alike, through whose diverse oeuvre-poetry, fiction, theater, personal and philosophical essays, correspondence, historical documents, and even kitchen recipes-the reader is able to navigate the shifting waters of history, from Spain in the tenth century to the Spanish-speaking Americas and the United States today. The Reader showcases the writings of such notable authors as Solomon ibn Gabirol, Maimonides, Miguel de Cervantes, Henry W. Longfellow, Miguel de Unamuno, Federico Garcia Lorca, Jorge Luis Borges, Jacobo Timerman, Mario Vargas Llosa, Ruth Behar, and Ariel Dorfman to name only a few."
Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts). A project of UCLA – Center for Intercultural Performance, made possible through The Pew Charitable Trusts (www.wac.ucla.edu/cip).
22 As both dance film and site-specific dance continue to reframe the dancing body in terms of alternative contexts (as well as to theorize this reframing), I expect to see further cross-fertilization of the lexicon, a development that ...
been typically historicized as a subgenre of dance history. Two books in particular come to mind in that regard: the first, Judy Mitoma's Envisioning Dance on Film and Video, clearly states its purpose in the title: to articulate a ...
The American Film Musical Bloomington: Indiana University Press, 1989. Billman, Larry. Film Choreographers and Dance Directors: An Illustrated Biographical Encyclopedia with a History and ... In Envisioning Dance on Film and Video.
Notes 1 The grandest camera gesture of the entire sequence relates to the climactic gesture in the courtship dance ... Kelly in this section has been published in my article on Kelly in Envisioning Dance on Film and Video (Genné 2002).
The need to ‘rethink’ and question the nature of dance history has not diminished since the first edition of Rethinking Dance History.
Francis Sparshott's description of this relationship is typical: 'in the concert hall even the most introspective performer is playing for listeners who are listening to him' (1987: 89). And Beckerman also stresses the importance of the ...
this green park, Houle, as a “lumbersome fearful” Indian, dramatically runs in slow motion. ... The first of these is of two women having a picnic in a park, in front of whom Houle lies face down in the landscape.
Arlene Croce's “Dance in Film,” in Afterimages (New York: Random House, 1977), 27– 5, deals with dance as just ... Yale University Press, 2003); and Judy Mitoma and Elizabeth Zimmer, eds., Envisioning Dance on Film and Video (New ...
One of the last of the courtship dances in the Golden Age of film musicals virtually replays the first, conforming to ... Just before this last courtship dance begins, when Astaire turns down the lights and turns on the music to set the ...