The most familiar assertion of Shakespeare scholarship is that he is our contemporary. Shakespeare After Theory provocatively argues that he is not, but what value he has for us must at least begin with a recognition of his distance from us.
9 Wither's account of the stationer's statutory freedom “ to belye his Authors intentions ” ( sig . H5 ' ) is largely correct , though , in fairness , most stationers did make reasonable attempts to produce an accurate text .
Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his ...
This collection of essays, written by distinguished and powerful critics in the fields of literary theory and Shakespeare studies, is intended both for those interested in Shakespeare and for those interested more generally in the emerging ...
This book provides a bridge between Shakespeare Studies and classical social theory. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism.
Shakespeare and Textual Theory presents a balanced view of the current theoretical debates, which include the nature of the surviving texts we call Shakespeare's; the relationship of the author 'Shakespeare' and of authorial intentions to ...
A complete critical introduction to New Historicist and Cultural Materialist approaches that have dominated contemporary Shakespeare theory, as well as alternative new directions.
Shakespeare and New Historicist Theory provides a comprehensive scholarly analysis of new historicism as a development in Shakespeare studies while asking fundamental questions about its status as literary theory and its continued ...
Tragicomedic in Italian and Shakespearean Drama', in The Italian World of English Renaissance Drama: Cultural Exchange and Intertextuality, Michele Marrapodi (ed.) (Newark: University of Delaware Press, 1998), pp. 282–301.
In these essays, collected here for the first time, renowned critic Catherine Belsey puts theory to work in order to register Shakespeare's powers of seduction, together with his moment in history.
Bradley’s century-old Shakespearean Tragedy.