The Actor, Image and Action is a 'new generation' approach to the craft of acting; the first full-length study of actor training using the insights of cognitive neuroscience. In a brilliant reassessment of both the practice and theory of acting, Rhonda Blair examines the physiological relationship between bodily action and emotional experience. In doing so she provides the latest step in Stanislavsky's attempts to help the actor 'reach the unconscious by conscious means'. Recent developments in scientific thinking about the connections between biology and cognition require new ways of understanding many elements of human activity, including: imagination emotion memory physicality reason. The Actor, Image and Action looks at how these are in fact inseparable in the brain's structure and function, and their crucial importance to an actor’s engagement with a role. The book vastly improves our understanding of the actor's process and is a must for any actor or student of acting.
6 Clifford J. Woolf, 'Deconstructing Pain: A Deterministic Dissection of the Molecular Basis of Pain', in Sarah Coakley and Kay Kaufman Shelemay (eds), Pain and its Transformations: The Interface of Biology and Culture, Cambridge, ...
It features the most exciting work being done at the intersection of theatre and cognitive science, containing both selected scientific studies that have been influential in the field, each introduced and contextualised by the editors, ...
The author also draws an interesting analogy between the aesthetics of action and sculptural representation through the work of Siddons, and goes on to consider the representation of the comic actor and how it was informed by art and art ...
This is a compelling and original exploration of the limits of acting theory and practice, psychology, and creative work, in which Mirodan boldly re-examines some of the fundamental assumptions of actor training and some basic tenets of ...
The Physiology and Phenomenology of Action, Tr. Christopher MacCann (Oxford: Oxford University Press, 2008). Blair, Rhonda. 'Image and Action: Cognitive neuroscience and actor-training' in Bruce McConachie and Elizabeth Hart (Eds.) ...
Professing performance, theatre in the academy form philology to performativity. Cambridge: Cambridge University Press. Lyotard, J.-F. (1984). The post modern condition: A report on knowledge. (G. Geoff Bennington & B. Massumi, Trans.).
The actor at work (10th ed.). Boston, MA: Allyn and Bacon. Blair, R. (2006). Image and action: Cognitive neuroscience and actor-training. In B. McConachie & F. E. Hart (Eds.), Performance and cognition: Theatre studies and the cognitive ...
[26] We are asked to picture the following situation: if theatricality, in the figure of the cabotin, emancipates the actor's labor and virtuosity from the naturalistic and psychologizing constraints of bourgeois theater, ...
This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting.
Index accents 104, 106-8, 148, 194, 203 Accidentally on Purpose (John Strasberg) 55 Acting Gay: Male Homosexuality in Modern Drama ... 204 Actor, Image and Action, The: Acting and Cognitive Neuroscience (Blair) 37 Actor's Handhook, ...