Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.
First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory.
... Sanders Studying Ealing Studios Stephanie Muir Studying Fight Club Mark Ramey Studying Hammer Horror Victoria Grace Walden Studying Hot Fuzz Neil Archer Studying The Hurt Locker Terence McSweeney Studying Ida Sheila Skaff Studying ...
Brooks, J.: As Good as It Gets 123 Brown, J. 295 Bryant, C. 16 BTS (K-pop band) 336 Bu, W.: Love and Duty 164 ... 39–40, 177 capitalism 139, 242 Carax, L.: Holy Motors 104–106 Carlmar, E. 26 Carmen Miranda: Bananas Is My Business ...
Focusing on the ground-breaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis and Barbara Creed, this book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators ...
And The Mirror Cracked explores the politics and pleasures of contemporary feminist cinema.
The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond.
The essays here are joined by a common concern to chart another side to modernity--precisely after the shock of the new--when the new ceases to be shocking, and when the extraordinary and the sensational become linked to the boring and the ...
The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, ...
... construction of readers as passive spectators , 275 ; social aspirations of ads , 280–81 ; and transformation of self - making to stress personality rather than character , 282 Fanon , Frantz : The Wretched of the Earth , 105 fans ...