A major work of feminist film criticism examining questions of sexual difference, the female body and the female spectator through a discussion of such figures as Pabst's Lulu and Rita Hayworth's Gilda.
This book offers readers a concise look at over a century of femmes fatales on both the silver screen and the TV screen.
Femmes Fatales. Translated by Henry Wolff
Hardboiled and High Heeled: The Woman Detective in Popular Culture. New York: Routledge, 2004. Mordden, Ethan. Demented: The World of the Opera Diva. New York: F. Watts, 1984. Morris, Allison. Women, Crime and Criminal Justice.
The Dedalus Book of Femmes Fatales: A Collection of Contemporary and Classic Stories
In Femmes Fatales: Resistance, Power, and Postfeminism, author Janine Paver dives into this lively debate, tracing the history of the femme fatale from pre-Code Hollywood to contemporary film.
(Hours, : ) Traditionally, the fatal lover draws the hapless heroine toward death, which is one possible reading of the poem's conclusion. Yet it is the Mistress who desires to mingle with the Lover in an embrace suggestive of ...
Femmes Fatales, 1860-1910: Catalogue of the Exhibition of the Same Name, from 19 January Until 4 May 2003 in the...
Intended for students and lecturers in women's studies, communications studies and film theory, this work on feminist film criticism examines questions of sexual difference, the female body, the female spectator and looks at such figures as ...
Becky Sharp, the notorious femme fatale of William Thackeray's Vanity Fair (1847–1848), conceals her class origins and ... for such social indecencies by relegating them to death or lives in the convent, the streets, or the asylum.
Ignored in public by their married lovers, bullied out of jobs by 'envious' female colleagues, shunned at weddings and Christenings, mocked by women's magazines, sabotaged by love rivals, floozies are forever under attack.