Why is it useful to look at theatre and performance through the lens of sexual identity? How has commercial theatre embraced gay and lesbian work? Theatre& Sexuality introduces critical methods and artistic practices that link drama, theatre and performance with minority sexualities in both the U.S. and UK. It narrates a select history of LGBTQ theatre from the early 20th century through today. Including an extended reading of Split Britches/Bloolips' production Belle Reprieve, the book offers clear analysis, as well as a celebration, of LGBTQ performance. Foreword by Tim Miller
`one hell of a seminal read ... Here is a book that grapples, with energy, ingenuity and terrific intellectual rigour, with a bewildering forest of issues around gender and politics ... illuminating, insightful, perceptive.
Explores current controversies and significant concerns in feminist theater and performance
Beck, U. 1999. World Risk Society. Cambridge: Polity Press. Boal, A. 2000. Theatre of the Oppressed. Translated by Charles A. and Maria-Odilia Leal McBride and Emily Fryer. London: Pluto Press. Bury, A., K. Popple and J. Barker. 1998.
This takes Nagy's critique of hypocrisy a stage beyond that of Orton thirty years before, and brings her and her audience into difficult linguistic territory. Aleks Sierz describes Never Land as: a world where ordinary conversations are ...
Comprehensive examination of award-winning play’s revolutionary effect on teenage sex education via participatory theatre.
This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, ...
This book takes theatre practitioners step-by-step through the best practices, tools, and techniques for crafting effective theatrical intimacy.
... Books, 2007. kirby, Michael, ed. “east village Performance.” special issue of TDR: The Drama Review 29.1 (spring 1985). kron, lisa. 2.5 Minute Ride and 101 Humiliating Stories. new york: Theatre communications group, 2001. kron, lisa ...
... Clit Notes, no less provocative. Bob and I are resting on a couch in the very front of the stage. Holly Hughes enters and, facing us, sits on a chair in the very front of the stage, too. If I wanted to, I could touch her. Instead, she ...
... American Coote , Robert , 149 , 163 Carr , Charmian , 229 Cornell , Katherine , 81 Case , Sue - Ellen , 96 Coward ... Carol , 22 Cushman , Charlotte , 64-65 Chaplin , Saul , The Sound of Music , producer of , 221 dame roles .