This book reveals subversive representations of gender, race and class in detective dime novels (1860-1915), arguing that inherent tensions between subversive and conservative impulses—theorized as contamination and containment—explain detective fiction's ongoing popular appeal to readers and to writers such as Twain and Faulkner.
This was recognized by the astute Erastus Beadle who earlier had published and sold song books at ten cents each . ... Companion when on March 28 , 1870 began “ The Bowery Detective ” which ran some 10 or 12 issues beginning with No.
Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.
Old Sleuth's Freaky Female Detectives. Bowling Green, KY: Bowling Green University Press, 1990. Sartre, Jean-Paul. “Introduction.” In The Question, ed. Henri Alleg. New York: George Braziller, 1958, Scarry, Elaine.
Traces the history of detective fiction pulp magazines from their origins in the nineteenth-century dime novels to their heyday in the 1920s and 1930s, profiling many pulp writers who went on to achieve greater fame
Technology and the Logic of American Racism: A Cultural History of the Body as Evidence. New York: Continuum, 2000. 24–52. Cole, Simon A. “Twins, Twain, Galton, and Gilman: Fingerprinting, Individualization, Brotherhood, and Race in ...
As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.
Read together, these novels are fascinating time capsules from a young nation in love with its larger-than-life characters.
As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.
Hardboiled and High Heeled: The Woman Detective in Popular Culture. New York: Routledge, 2004. Mordden, Ethan. Demented: The World of the Opera Diva. New York: F. Watts, 1984. Morris, Allison. Women, Crime and Criminal Justice.
This book explores these methods of detection and positions the genre in a specific political, aesthetic, narrative and industrial context.