Since the Second World War, art crime has shifted from a relatively innocuous, often ideological crime, into a major international problem, considered by some to be the third-highest grossing criminal trade worldwide. This rich volume features essays on art crime by the most respected and knowledgeable experts in this interdisciplinary subject.
The stories of high-stakes, brazen art crimes told by art experts Stefan Koldehoff and Tobias Timm are by turns thrilling, disturbing, and unbelievable (the imagination for using art to commit crimes seems boundless).
Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of...
This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges.
Who should make these decisions, and how? Erin L. Thompson, the country’s leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles, brings much-needed clarity in Smashing Statues.
Sociological and Criminological Perspectives of Crimes in the Art World Naomi Oosterman, Donna Yates ... He is an editor, along with Marcos Olender, of the book World Heritage Patinas: actions, alerts and risks.
23 See David Bate , Photography and Surrealism : Sexuality , Colonialism and Social Dissent ( London : I. B. Tauris , 2004 ) , 46-53 . 24 Aragon , “ Il m'est impossible , ” 136 . 25 Le Libertaire , 26 January 1923 , I. 46 Ibid .
This is a riveting story of art, crime, love, and an insatiable hunger to possess beauty at any cost.
He was sometimes called Kojak by the museum staff because he looked a little like the lieutenant played by Telly Savalas in the popular TV show (the bald head helped). When he took over the Security Department, one of the first things ...
The disappearance of a priceless Caravaggio in Rome and the famous 'White on White' by Russian painter Kasimir Malevich in Paris heralds the start of a series of seemingly unconnected art crimes across Europe.
" The works were retrieved and eventually arrived at the National Museum of Belgrade, where they have remained ever since. But there are other versions of this story.