Twenty years after Tony Kushner's influential Angels in America seemed to declare a revitalized potency for the popular political play, there is a "No Politics" prejudice undermining US production and writing. This book explores the largely unrecognized cultural patterns that discourage political playwriting on the contemporary American stage.
He is the author of The Argumentative Theatre of Joe Penhall (2011) and Understanding David Henry Hwang (2013). Nelson Pressley is a theatre critic for the Washington Post. His reviews and features have appeared in American Theatre, ...
N. NATIONAL THEATRE. Built in 1836 in the West End of Boston, the National Theatre, designed by William Washburn, ... Washington, DC, also had a notable National Theatre built in 1835 by William Corcoran and other prominent ...
Haley); Frank Losee (Uncle Tom); Florence Carpenter (Eliza); Jere Austin (George Harris); Phil Ryley (Marks); Augusta Anderson (Mrs. St. Clare); Ruby Hoffman (Cassy); Susanne Willis (Chloe); Mrs. Priestley Morrison (Ophelia); Thomas ...
Scheurer, Timothy E. The Nineteenth Century and Tin Pan Alley. Bowling Green, OH: Bowling Green ... Timberlake, Craig. The Bishop of Broadway: The Life ...
29 Marlene Mawson, “Sportswomanship: The Acceptance of Women versus Accommodation of Cultural Women in Sport the Sport for Cultured,” in Sport, Rhetoric, and Gender: Historical Perspectives and Media Representations, ed.
... Eugenics, and Early Twentieth-Century American Drama by Tamsen Wolff and Religion on Krishna's Stage: Performing in Vrindavan by David V. Mason Theatre Rogue Performances: Staging the Underclasses in Early American Theatre Culture ...
In December of 1895 came another play aligned with this industry, Scott Marble's The Sidewalks of New York, ... Instead, Davis and Keogh hired Stephens to “Americanize” Frank Harvey's Fallen Among Thieves, which had been staged at the ...
______, “The Secrets of Angels” (as told to William Harris), New York Times, March 27, 1994, p. H5. , “Why We Must Fight,” Stage Directions, June-July 1997, p. 7. John Lahr, “Angels on Broadway,” New Yorker, May 31, 1993, p. 137. Lewis ...
The Group Theatre: Passion, Politics, and Performance in the Depression Era by Helen Chinoy and edited by Don B. ... and the Vaudeville Comedian by Rick DesRochers American Playwriting and the Anti-Political Prejudice: Twentieth- and ...
The Group Theatre: Passion, Politics, and Performance in the Depression Era by Helen Chinoy and edited by Don B. ... and the Vaudeville Comedian by Rick DesRochers American Playwriting and the Anti-Political Prejudice: Twentieth- and ...