Taking its departure point from the 1933 surrealist photographs of ¿involuntary sculptures¿ by Brassa¿nd Dal¿Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book¿s central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography¿s indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork¿s materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.
This ground-breaking book draws on the collections of the Royal Photographic Society at the National Museum of Photography, Film and Television in Bradford, as well as other collections to provide a unique account of Emerson's position in ...
Nash and Bill Brandt , but an image like John Davies's ( 1944- ) Agecroft Power Station , Pendlebury , Salford , Greater Manchester ( 1983 ) [ 35 ] is exemplary . Whereas in a photograph like Drurridge Bay No.
Met lezingen van: Raymond Bellour, Benjamin Buchloh, Jean-FrancoisChevrier, Francesco Pellizzi, Jeff Wall.
Taking its point of departure from Latin American and Spanish photographic archives, the volume offers an alternative history of photography by focusing on the transnational dimension of technological traffic and image production at a time ...
"For the first time we worked on the same sheet of rice paper in very different techniques ... we found a way to unify the two different media: painting in the tradition of Chinese ink painting ... and photography using diaital techniques ...
"Le nu, qui est le fond nécessaire des arts du dessin, de la sculpture et de la peinture, serait, en photographie, inavouable".
... y Edward Weston se suman al grupo de extranjeros que llegan a México en la década de los veinte , tales como Carleton Beals , Bertam Wolfe , O'Higgins , Frances Toor , quienes participan en el ámbito cultural de nuestro país .
IPSO Photo: Chris Fortescue, Margaret Roberts, Marie Sierra-Hughes, Philip Watkins, Centre for Contemporary Photography, September 30 - October 29, 1994
Retrace le cheminement par lequel la photographie du nu, d'abord simple aide aux artistes, devient progressivement une forme artistique à part entière.
L'art du nu au XIXe siècle: le photographe et son modèle