Gothic Heroines on Screen explores the translation of the literary Gothic heroine on screen, the potential consequences of these adaptations, and contemporary interpretations of the form. Each chapter illuminates the significance of this moving image mediation, relating its screen topics to their various historical, social, and geographical moments of production, while maintaining a focus on the key figure of the investigating woman. Many chapters - perhaps inescapably - delve into the point of adaptation: the Bluebeard story and du Maurier's Rebecca as two key examples. Moving beyond the Old Dark House that frequently forms both the Gothic heroine's backdrop and her area of investigation, some chapters examine alternative locations and their impact on the Gothic heroine, some leave behind the marital thriller to explore what happens when the Gothic meets other genres, such as comedy, while others travel away from the usual Anglo-American contexts to European ones. Throughout the collection, the Gothic heroine's representation is explored within the medium, which brings together image, movement, and sound, and this technological fact takes on varied significance. What does remain constant, however, is the emphasis on the longevity, significance, and distinctiveness of the Gothic heroine in screen culture.
In Teaching the Gothic, edited by Anna Powell and Andrew Smith, 29-47. Basingstoke: Palgrave, 2006. ... 1: 109-11. "Horrid” (Northanger) Novels Glock, Waldo S. ”Catherine Morland's Gothic Delusions: Bibliography 287.
Newly married, newly widowed Elsie is sent to see out her pregnancy at her late husband's crumbling country estate, The Bridge.
Three classic Gothic novels: Horace Walpole's The Castle of Otranto, Thomas Love Peacock's Nightmare Abbey and William Beckford's Vathek
Set in the village of Chapelizod, near Dublin, in the 1760s, the story opens with the accidental disinterment of an old skull in the churchyard, and an eerie late-night funeral.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
These essays identify the Gothic tradition as the cultural context for understanding texts dealing explicitly with terror and horror and works expressing Moore's interest in magic and psychogeography.
Development ofthe Horror Genre (Jefferson, NC: McFarland, 2008); Cemetery Dance magazine; The Complete Review; Ellen Datlow's yearly “Summation” from The Years Best Fantasy and Horror (New York: St. Martin's, through the twenty-first ...
De Manian deconstruction's Gothic reanimation of the machine as an autonomic nervous system can be set against the current techno-euphoria among posthumanists influenced by Deleuze and Guattari's theories of machinic assemblages.
There were many adventure writers at this time penning books about impending threat and invasion of the Empire and Dracula was well received.