A Progressive Course in English for Secondary Schools; Literature, Composition, Rhetoric, Grammar; Two Book Course
- ISBN-10
- 1230221603
- ISBN-13
- 9781230221601
- Pages
- 108
- Language
- English
- Published
- 2013-09
- Publisher
- Theclassics.Us
- Author
- Charles Maurice Stebbins
Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 edition. Excerpt: ... CHAPTER VIII English Classics The Sketch Book 392. Questions for Study. -- There are, in-general, three kinds of questions below: one kind deals with the impressions which the author aims to produce in his descriptions and reveries; another kind concerns the means he uses to produce the desired impressions; and the third aims to discover what the author tells us of himself in his work. Keep these three things constantly in mind in your study, and try to formulate your ideas into definite answers. The Voyage 1. What is the effect of the temporary absence of worldly scenes and employments upon the voyager? 2. What are some of the subjects for meditation on a sea voyage? 3. What things in Irving's description of the sea are real? what imaginative? 4. What is the central thought in Irving's meditation about the "distant sail gliding along the edge of the ocean"? 5. Show that the author's meditation on the floating mast was natural under the circumstances. 6. Which predominates in these meditations: narration, description, or exposition? Give reasons for answer. 7. Quote some short examples of each form of discourse from the meditations. 8. By what means does the author heighten interest in the captain's story? 9. What feelings would a story of this kind naturally arouse in the passengers? 10. Explain whether the paragraph immediately following the capta1n's story is narrative or descriptive. 11. Pick out descriptive adjectives, nouns, and verbs. 12. What is the dominant impression of the storm that the author wishes to reproduce? 13. With what effect is contrast used in this sketch? 14. What fine touches of suggestive description are given toward the close of this sketch? 15. What variety in the description of the crowd waiting at the pier?...
