The following paper describes the process by which the author, David Resnick, became a "Vibrationist." A Vibrationist is one who "plays" or manipulates multiple types of vibrations at once, be they vibro-tactile, musical, or biofield energies, toward the altering of another person's vibratory state. The paper discusses several projects produced while pursuing a Master of Science degree in the Arts Computation Engineering (ACE) graduate program at the University of California, Irvine that culminated in "Pulse." Pulse is a fully functioning system that allowed the author to act as a Vibrationist while beginning to systematically develop a new practice he's terming "Vibrationism." The paper also discusses the various influences from diverse fields including, art, science, health and healing, spirituality, and philosophy that informed and influenced project development. A key goal was to bring participants in the project into a "flow-state" and to facilitate an experience of "subtle energies." Details of the research, fabrication, programming, and artistic development of Pulse are also described.
Featuring 2 and 4 mallets in accessible to advanced exercises, studies and solos and clear strategies for pedaling, dampening, and tips on how to practice, this book will help those playing vibraphone music to really understand how to play ...
Paris, F. Schoell, G. Dufour, J. Smith et Gide. Humboldt FWHA von, Bonpland AJA (1852/1971): Personal Narrative of Travels to the Equinoctial Regions of America, during the Years 1 799-1804 (3 vols.). Ross T, trans.
Barradas exhibited “Vibrationist” pieces in Barcelona on three occasions: in December 1917, in a joint show with Torres ... is also to be seen in de Torre's own creative writings, for instance in a poem entitled “UltraVibracionismo” ...
The result is Beyond, an engaging, thoughtful exploration of an idea that is central to our humanity and our desire to define an existence beyond death.
The mention of " iconic signalling ” returns the discussion to the neural mechanisms debated by vibrationists and fluidists ... There seems to be no unequivocal evidence that either the vibrationist or the fluidist models dominated in ...
In Becoming the Instrument, Werner teaches us that mastery is not perfection, or even virtuosity. It is the gift of self-love, forgiving your own mistakes, and not allowing the world to diminish your own divine gifts.
In the 1990s young trumpet- ers like Roy Hargrove, Ryan Kisor, Marlon Jordan, and Nicholas Payton paid homage to jazz history while cautiously searching for ways to advance it. Payton, one of the brightest trumpet stars of the 1990s, ...
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number...
Werner had been collecting and publishing bizarre books on all manner of eclectic subjects for over thirty years and I'd hoped he'd be interested in Origins of the Soul, which he'd not heard of until I'd mentioned it.
“There has been a tendency for elements in the music to be leveled out,” Burton says, “and now you get less and less of that distinct ... But if Burton wouldn't want to be a horn player, is he glad to be a vibraphonist?