Frederic Sackrider Remington was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th-century American West and images of cowboys, American Indians, and the U. S. Cavalry. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. The galloping horse became Remington’s signature subject, copied and interpreted by many Western artists who followed him. He was an effective publicist and promoter of his art.
Filled with paintings and sculptures by Western artist Frederic Remington, this young readers' guide to art appreciation is complete with background information about the artist and historical facts.
A collection of Frederic Remington’s writings, complemented by more than one hundred of his famous drawings, provides an exciting record of the Old West as it once was, with tales of cowboys, Indians, and soldiers.
Enjoy the beauty and variety of the American experience through the work of these great artists. With stunning full-color plates, additional black-and-white illustrations, and concise, authoritative text, these unique, beautifully...
Traces the history of the American West, particularly in terms of pioneer life and Indian relations, through the revealing paintings of Remington
" "This illustrated volume features a biography by noted Western art scholar Brian W. Dippie.
Discusses the life of Frederic Remington and describes his unique style of art.
The bears did straightway fly which much cheered ye Iri-quoits. One said to me they weare resolved nott to murder ye dogg, which was a stone-God in ye dogg shape,...
This body of work, as the author demonstrates, demands to be regarded as an interrelated whole. Here guilt, shame, and personal failure are honestly articulated, and death itself is confronted as the artist’s chief subject.
Remington became interested in the American Indian, probably because he became interested in the active, exciting life of the American Great Plains.
"...Ballinger [James K., the author] traces Remington's life from his earliest travels in the West through his successful career as a magazine illustrator to his profoundly disturbing realization that the...