This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage – the support of a person or institution and their work by a patron – in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence.
This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music.
is magnificent here is what is great in these circumstances, and greatness in the work differs from greatness in the ... point of view: on one hand the patron or benefactor who wants to manifest in it his magnificence, his greatness, ...
Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo".
... Patronage of Music in Early Modern Rome, Routledge, New York and London, 2018 Nicolson, Benedict, 'Caravaggesques in Florence', The Burlington Magazine, vol.112, 1970, pp 636–41 Nicolson, Benedict, The International Caravaggesque ...
Karen-edis Barzman, The Limits of Identity: Early Modern Venice, Dalmatia, and the Representation of Difference (Leiden and Boston: Brill, 2017) and Larry Wolff, Venice and the Slavs: The Discovery of Dalmatia in the Age of ...
Minou Schraven in Chapter 14 explores how Rome's splendid festive culture shaped the urban and social fabric, ... And as one of Europe's premier diplomatic hubs (as illuminated by Osborne), early modern Rome was a permanent theater for ...
This work discuses what work was written under their patronage, why it was commissioned and how it related to the religious, political and aesthetic programme of the family.
This interdisciplinary book investigates the use of secular space for music making in Early Modern France and Italy. The fact that many artists of the time also had musical skills...
The core of this history involves the enormous number of documents on musicians and musical patronage recovered in Milanese archives and elsewhere during the course of our research. This evidence...
First published in 1999, the essays that follow have been selected from the author's writings to explore musical institutions in 15th and 16th century Italy with a detailed focus on the papal choir, but with additional comments on Mantua ...