In her timely contribution to revisionist approaches in modernist studies, Lorraine Sim offers a reading of Virginia Woolf's conception of ordinary experience as revealed in her fiction and nonfiction. Contending that Woolf's representations of everyday life both acknowledge and provide a challenge to characterizations of daily life as mundane, Sim shows how Woolf explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. Sim's argument develops through readings of Woolf's literary representations of a subject's engagement with ordinary things like a mark on the wall, a table, or colour; Woolf's accounts of experiences that are both common and extraordinary such as physical pain or epiphanic 'moments of being'; and Woolf's analysis of the effect of new technologies, for example, motor-cars and the cinema, on contemporary understandings of the external world. Throughout, Sim places Woolf's views in the context of the philosophical and lay accounts of ordinary experience that dominated the cultural thought of her time. These include British Empiricism, Romanticism, Platonic thought and Post-Impressionism. In addition to drawing on the major novels, particularly The Voyage Out, Mrs. Dalloway, and To the Lighthouse, Sim focuses close attention on short stories such as 'The Mark on the Wall', 'Solid Objects', and 'Blue & Green'; nonfiction works, including 'On Being Ill', 'Evening over Sussex: Reflections in a Motor-car', and 'A Sketch of the Past'; and Woolf's diaries. Sim concludes with an account of Woolf's ontology of the ordinary, which illuminates the role of the everyday in Woolf's ethics.
It is not often that biography offers the satisfactions of great fiction -- but this is clearly what Hermione Lee has achieved.
Hugh Lee (Chicago: University of Chicago Press, 1993), 178. the green shroud: August 18, 1899. “Extract from the Huntingdonshire Gazette” in Virginia Woolf, PA, 151. The angry waters: August 18, 1899. “Extract from the Huntingdonshire ...
Collects nearly fifty short stories and sketches written over the course of Woolf's writing career and arranges them chronologically to offer insights into Woolf's development as a writer
Acclaimed biographer Gillian Gill tells the stories of the women whose legacies—of strength, style, and creativity—shaped Woolf’s path to the radical writing that inspires so many today.
Part of Shakespeare's power lay in his surface realism, she thought: 'one c[oul]d work out a theory of fiction &c on ... It begins in spring, with all the clocks of the city 'gathering their forces together; they seemed to be whirring a ...
Dans un récit bouleversant, Viviane Forrester nous présente une Virginia Woolf chatoyante, désopilante et meurtrie, différente certainement de la légende bâtie par son mari Leonard.
Covering a wide range of historical, theoretical, critical and cultural contexts, this collection studies key issues in contemporary Woolf studies.
Written while Virginia Woolf worked on Orlando, To the Lighthouse and A Room of One's Own, and including the complete text of The Common Reader, the essays in this volume...
The delicate artistry and lyrical prose of Virginia Woolf's novels have established her as a writer of sensitivity and profound talent.
Discusses the life and work of the twentieth-century English author, Virginia Woolf..