What is the role of spiritual experience in poetry? What are the marks of a religious imagination? How close can the secular and the religious be brought together? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain, by way of contemporary and historical examples, the primary role of the religious imagination in the writing as well as in the reading of poetry.
Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other.
Readers of this book will return to their reading of poetry equipped with new insights and enthusiasm and will be challenged to integrate imaginative ways of knowing into their other academic and intellectual pursuits.
London: oliver and Boyd, 1923. Ambruster, carl J., 'The Messianic significance of the Agony in the Garden', Scripture: The Quarterly ofthe Catholic BiblicalAssociation, 16.36 (1964), pp. 111–19. Anderson, Douglas, 'Presence and Place in ...
Stanley Romaine Hopper developed a religious perspective called "theopoiesis" that embraced twentieth-century cultural revolutions in theology, poetry, philosophy, and psychology. In this long-awaited book, Hopper explores imaginative literature for religious...
As Wilder writes, "Before the message, the vision; before the sermon, the hymn; before the prose, the poem. The discursive categories of theology as well as the traditional images of sermon and prayer require a theopoetic."
Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such ...
Poet, critic, biographer, and Catholic intellectual Paul Mariani delivers huge armfuls of experience and knowledge in this wide-ranging collection of twenty-four essays.
Imagination and the Sacred in the Poetry of Seamus Heaney Daniel Tobin. 30.1 (March 1994): 33-42. ———. Seamus Heaney: Poet of Contrary Progressions. Syracuse, N.Y.: Syracuse University Press, 1994. Haviaris, Stratis, ed.
J. Robert Barth suggests that we may look to Coleridge for the theoretical grounding of the view of religious imagination proposed in this book, but that it is in Wordsworth above all that we see this imagination at work.
Her analysis draws on the work of contemporary philosopher Richard Kearney as well as writers on mysticism, particularly Karl Rahner.