Celebrations of literary fictions as autonomous worlds appeared first in the Renaissance and were occasioned, paradoxically, by their power to remedy the ills of history. Robert E. Stillman explores this paradox in relation to Philip Sidney's Defence of Poesy, the first Renaissance text to argue for the preeminence of poetry as an autonomous form of knowledge in the public domain. Offering a fresh interpretation of Sidney's celebration of fiction-making, Stillman locates the origins of his poetics inside a neglected historical community: the intellectual elite associated with Philip Melanchthon (leader of the German Reformation after Luther), the so-called Philippists. As a challenge to traditional Anglo-centric scholarship, his study demonstrates how Sidney's education by Continental Philippists enabled him to dignify fiction-making as a compelling form of public discourse-compelling because of its promotion of powerful new concepts about reading and writing, its ecumenical piety, and its political ambition to secure through natural law (from universal 'Ideas') freedom from the tyranny of confessional warfare. Intellectually ambitious and wide-ranging, this study draws together various elements of contemporary scholarship in literary, religious, and political history in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.
7 Ing anticipates these 8 One might add the intriguing instance of “The Straunge Pangs of an Pore Passionate Lover,” (P4–P4v) in The Forest of Fancy (1579) by H. C. [Henry Chettle], with its dense rhyme structure, ababbccadaddee.
Labyrinth of desire: invention and culture in the work of Sir Philip Sidney. ... Touches of sweet harmony: Pythagorean cosmology and renaissance poetics. ... Philip Sidney and the poetics of renaissance cosmopolitanism.
Larson, Katherine R. “The Sidneys and Music,” in The Ashgate Research Companion to the Sidneys, 1500–1700. Vol. 1, Ed. Margaret Hannay, Michael G. Brennan, and Mary Ellen Lamb. Farnham: Ashgate, 2015. 317–27. Larson, Katherine R.
1655), a country squire from Cheshire. His notes serve partly to provide signposting through the romance's multiple narratives, tracing where they begin, continue and end, and also noting their emotional content with adjectives such as ...
For his part, Gosson brands poets 'the fathers of lyes' (78/A3), this accusation heading up his three-pronged ... so as to grasp at a quite different conceptualization of poetry, thereby terminally undermining the speaker's position, ...
Miseremini et lugete mecum perdito, Si forte crimen eluere clemens Deus Porvos rogatus sustinet. Rector poli, Regum Arbiter, qui nemini exitium cupis, Deperditam qui ex ultimis iugis ovem Lassus resumpsti, collige solutum pecus, ...
A volume containing two works on a related topic, one by Vermigli and another by Bullinger, both translated possibly by Thomas Becon, is A treatise of the cohabitacyon of the faithfull with the vnfaithfull Whereunto is added, ...
33 See, among many others, John Gillies, Shakespeare and the Geography of Difference, (Cambridge: Cambridge University ... 34 On Shakespeare's interest in the eastern Med, see Steve Mentz, At the Bottom of Shakespeare's Ocean (London: ...
63 Proclamation 642, 'Denouncing Stubbs's Book, The Discoverie of a Gaping Gulf', in Tudor Royal Proclamations, ed. Paul L. Hughes and James F. Larkin (New Haven: Yale University Press, 1969), p. 449. 64 Stubbs, The Discoverie of a ...
Gender and Authorship in the Sidney Circle. Madison: University of Wisconsin Press, 1990. ———. “Tracing a Heterosexual Erotics of Service in 'Twelfth Night' and the Autobiographical Writings of Thomas Whythorne and Anne Clifford.