Addressing one of the most controversial and emotive issues of American history, this book presents a thorough reexamination of the background, dynamics, and decline of American lynching. It argues that collective homicide in the US can only be partly understood through a discussion of the unsettled southern political situation after 1865, but must also be seen in the context of a global conversation about changing cultural meanings of 'race'. A deeper comprehension of the course of mob murder and the dynamics that drove it emerges through comparing the situation in the US with violence that was and still is happening around the world. Drawing on a variety of approaches - historical, anthropological and literary - the study shows how concepts of imperialism, gender, sexuality, and civilization profoundly affected the course of mob murder in the US. Lynching provides thought-provoking analyses of cases where race was - and was not - a factor. The book is constructed as a series of case studies grouped into three thematic sections. Part I, Understanding Lynching, starts with accounts of mob murder around the world. Part II, Lynching and Cultural Change, examines shifting concepts of race, gender, and sexuality by drawing first on the romantic travel and adventure fiction of the era 1880-1920, from authors such as H. Rider Haggard and Edgar Rice Burroughs. Changing images of black and white bodies form another major focus of this section. Part III, Blood, Debate, and Redemption in Georgia, follows the story of American collective murder and growing opposition to it in Georgia, a key site of lynching, in the early twentieth century. By situating American mob murder in a wide international context, and viewing the phenomenon as more than simply a tool of racial control, this book presents a reappraisal of one of the most unpleasant, yet important periods of America's history, one that remains crucial for understanding race relations and collective violence around the world.
A reference to a woman "strung up, slit open, and burned just about up" in Alice Walker's The Third Life of Grange Copeland (1970) may or may not be significant. Octavia Butler may have had Turner in mind when she wrote in Kindred ...
Presents an analysis of lynching photographs, covering their history, meanings, uses, and displays.
Tindall , Emergence of the New South , 53 . 56. Dittmer , Black Georgia in the Progressive Era , 203–5 . 57. William Cohen , “ The Great Migration as a Lever for Social Change , ” in Black Exodus : The Great Migration from the American ...
The Left of Black interview with author Koritha Mitchell begins at 14:00. An interview with Koritha Mitchell at The Ohio Channel.
From the American Revolution to the expansion of the western frontier, Waldrep shows how communities defended lynching as a way to maintain law and order."--Publisher description.
Claude McKay, Harlem Shadows: The Poems of Claude McKay (New York: Harcourt, Brace, 1922), p. 51. 32. Lorraine Hansberry, “Lynchsong,” Masses and Mainstream 4, no. 7 (July 1951): pp. 19-20. Angela Y. Davis compared Hansberry's poem ...
Frequently reissued with the same ISBN, but with slightly differing bibliographical details.
24, 35), 301 (nn. 1, 4, 6); John Carter, 42–43, 98, 191–92, 303 (n. 25); John Crooms, 93; John Lee, 186, 189, 195; John Metcalf, 306 (n. 54); Joseph Richardson, 80; J. P. Ivy, 211; Lint Shaw, 193, 195, 198–99, 201, 210, 223; Lloyd Clay, ...
Chambliss immediately tracked Neal to a neighbor's peanut farm, where the young blackman also worked, and placed him under arrest. He also took into custody Neal's mother, Kitten, and his aunt, Sallie Smith, because it appeared ...
... was a black teenager who had worked for the Thurmond family as a maid eighty years earlier . 12 Dudziak , Cold War Civil Rights , 44-45 . 13 Quoted in Lisa Gail Collins , " Catalogue , " in African - American Artists , 1929-1945 ...