Friendship has always been a universal category of human relationships and an influential motif in literature, but it is rarely discussed as a theme in its own right. In her study of how friendship gives direction and shape to new ideas and novel strategies of plot, character formation, and style in the British novel from the 1760s to the 1830s, Katrin Berndt argues that friendship functions as a literary expression of philosophical values in a genre that explores the psychology and the interactions of the individual in modern society. In the literary historical period in which the novel became established as a modern genre, friend characters were omnipresent, reflecting enlightenment philosophy’s definition of friendship as a bond that civilized public and private interactions and was considered essential for the attainment of happiness. Berndt’s analyses of genre-defining novels by Frances Brooke, Mary Shelley, Sarah Scott, Helen Maria Williams, Charlotte Lennox, Walter Scott, Jane Austen, and Maria Edgeworth show that the significance of friendship and the increasing variety of novelistic forms and topics represent an overlooked dynamic in the novel’s literary history. Contributing to our understanding of the complex interplay of philosophical, socio-cultural and literary discourses that shaped British fiction in the later Hanoverian decades, Berndt’s book demonstrates that novels have conceived the modern individual not in opposition to, but in interaction with society, continuing Enlightenment debates about how to share the lives and the experiences of others.
There had been general dismay when Miss Watson and Miss Fogerty retired to Barton-on-Sea after many years of devoted service teaching the children of Thrush Green, so their visit to see old friends in the village brings great pleasure.
Reprint of the original, first published in 1874.
The plot and characters are exquisite in this last completed novel by Dickens. A sophisticated masterpiece, Our Mutual Friend tells the story of the downside of money and the corruptive power it holds.
Friendship and Allegiance explores the concept of friendship as it was defined, contested and distorted by writers of the early eighteenth century.
Above all, though, this is a story of love and friendship and brilliantly narrated by Queeney, Mrs Thrale's daughter, looking back over her life.
John Harmon returns to England as his father's heir. Believed drowned under suspicious circumstances--a situation convenient to his wish for anonymity--John evaluates Bella Wilfer whom he must marry to secure...
Tongues are wagging in this charming novel of English village life— “If you’ve ever enjoyed a visit to Mitford, you’ll relish a visit to Thrush Green” (Jan Karon, #1 New York Times–bestselling author).
Woman to Woman: Female Friendship in Victorian Fiction
However, in the 20th century reviewers have found much to approve in the later novels of Dickens, including Our Mutual Friend.[3] In the late 20th and early 21st century, some reviewers suggested that Dickens was experimenting with ...
It was a time when everything seemed to be changing—and it was, but not always quite as expected. Past Imperfect is Julian Fellowes at his best--a novel of secrets, status, and a world in upheaval.