This collection of original essays is in tribute to the work of Derek Scott on the occasion of his sixtieth birthday. As one of the leading lights in Critical Musicology, Scott has helped shape the epistemological direction for music research since the late 1980s. There is no doubt that the path taken by the critical musicologist has been a tricky one, leading to new conceptions, interactions, and heated debates during the past two decades. Changes in musicology during the closing decades of the twentieth century prompted the establishment of new sets of theoretical methods that probed at the social and cultural relevance of music, as much as its self-referentiality. All the scholars contributing to this book have played a role in the general paradigmatic shift that ensued in the wake of Kerman's call for change in the 1980s. Setting out to address a range of approaches to theorizing music and promulgating modes of analysis across a wide range of repertories, the essays in this collection can be read as a coming of age of critical musicology through its active dialogue with other disciplines such as sociology, feminism, ethnomusicology, history, anthropology, philosophy, cultural studies, aesthetics, media studies, film music studies, and gender studies. The volume provides music researchers and graduate students with an up-to-date authoritative reference to all matters dealing with the state of critical musicology today.
Bringing together an international collection of experts, this work explores various philosophical issues surrounding modern music recordings. With perspectives from practicing musicians, musicologists, sound artists, and recordings engineers, this reference...
Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Adjunct Professor at the University of Agder, Norway. His research fields involve music analysis, popular musicology, gender and culture.
This unique collection will not only enrich discussions that already use Music Matters as their core, but will globalize current discussions and applications of the praxial philosophy and emphasize the positive and practical values of ...
This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms.
... Bach's many compositions awaiting publication in the later eighteenth century, it was his four-part chorales that ... modal identities, and gross violations of harmonic syntax. (Vogler claimed to rectify these “problems” in his own ...
These are prefaced by an excellent introduction which traces the intellectual development of critical musicology and discusses the part these essays have had to play in that movement.
This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture.
4 For early teaching methods, ideas and materials with reference to classroom composition see Dennis (1970), Paynter and Aston (1970), Schafer (1967), Self (1967). For further discussion see HMI (1985), Paynter (1982), Swanwick (1979).
Roger Scruton questions the value of Nelson Goodman's theory, since for Scruton this theory founders on the idea that “some works of art possess the property of referring to an attribute that they also metaphorically possess” (Roger ...
In their place critique offers decentering strategies: defamiliarization, fragmentation, the perplexities of dialogue, and chasmal divides of cultural difference and distance. Along these paths music-historical critique seeks, finally, ...