'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.
This collection focusses upon the history and theology of sin and salvation in reformation and post-reformation England.
Explores how the English Reformation transformed the meaning of the Ten Commandments, which in turn helped shape the Reformation itself.
Whilst much recent research has dealt with the popular response to the religious change ushered in during the mid-Tudor period, this book focuses not just on the response to broad liturgical and doctrinal change, but also looks at how ...
In order to challenge such entrenched assumptions, this book examines Tudor views on the senses to create a new lens through which to explore the English Reformation.
J. Willis, Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities (Farnham: ashgate, 2010). J. Herl, Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict (Oxford: ...
4. Jonathan Willis, Church Music and Protestantism in Post- Reformation England (Farnham: Ashgate, 2010), 131. 5. See the surveys in Willis, Church Music, chap. 1; Daniel Trocmé- Latter, The Singing of the Strasbourg Protestants, ...
Marsh, Christopher, 'Sacred Space in England, 1560–1640: The View from the Pew', Journal of Ecclesiastical History, ... Willis, Jonathan, Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities ...
... about 20 children'; James Renwick, An Informatory Vindication of a Poor, wasted, misrepresented remnant of the suffering, Anti-popish, Anti-prelatick, Anti-erastian, Anti-sectarian, true Presbyterian Church of Christ in Scotland.
54 William McMillan, The Worship of the Scottish Reformed Church, 1550–1638 (Dunfermline, 1931), p. 333. 55 Ibid., pp. 197–8, 226–7; cf. Mentzer, 'Fasting, piety and political anxiety', p. 340. 56 W.K. tweedie (ed.) ...
'The Psalms and Confrontation in English and Scottish Protestantism', Archiv für Reformationsgeschichte 101 (2010): ... Willis, Jonathan, Church Music and Protestantism in Post-Reformation England (Farnham: Ashgate Publishing, 2010).