Secrets of Acting Shakespeare isn’t a book that gently instructs. It is a passionate, yes-you-can guide designed to prove that anybody can act Shakespeare. Patrick Tucker’s classic manual encourages trained and amateur actors alike to look to the original practices of the Elizabethan theatre for inspiration. He explores the ‘cue scripts’ used by actors, who knew only their own lines, to demonstrate the extraordinary way that these plays work by ear. This updated second edition includes: A section dedicated to the modes of address 'thee‘ and 'you‘ A brand new chapter on Original Practices and cue scripts An expanded genealogical chart, showing the interrelations of 92 different characters from the history plays A new discussion of Elizabethan acting spaces – balconies, gates, ramparts and even backstage areas Secrets of Acting Shakespeare is a must-read for actors intrigued by the ‘Original Approach’ to acting Shakespeare, or for anyone curious about how the Elizabethan theater worked.
This fourth edition is completely updated to cover new techniques, film references, and insights, including: Updated information on vocal work outside acting, such as audiobooks and voice-overs Guidance on the technique of "whisper acting" ...
Peter Brook is the most consistently innovative director in Western theatre. In these three essays he returns to the concept of his first book The Empty Space and examines what that means for the life of a production.
This is an ideal resource for filmmaking students and early career directors to refer to when encountering a problem, as well as all those screen enthusiasts, actors and writers, who want to know what directors actually do.
This book demonstrates the hard course a modern actor must follow to make real and truthful the words he speaks, and the action and emotion underlying them.
While they were hacking at each other, along came Thomas Watson, good friend of Marlowe's, fellow poet. Watson protested or intervened or drew his own sword – accounts apparently differ – and the next thing wild Master Bradley was ...
Don Weingust places this work on Folio performance possibility within current understandings about Shakespearean text, describing ways in which these challenging theories about acting often align quite nicely with the work of the theories' ...
This work is intended to help the working actor discover the specific skills for use in Shakespearean productions.
The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theatre at various times over the course of roughly one hundred ...
Like Patrick Tucker's Secrets of Screen Acting, this new book is written with wit and passion, conveying the authors' powerful conviction that success is within every actor's grasp.
Players of Shakespeare: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Cambridge: Cambridge University Press, ... Shakespeare's Advice to the Players. 2nd ed. London: Oberon Books, 2009.