This is the first book to deploy the methods and ensemble of questions from Afro-pessimism to engage and interrogate the methods of Early Modern English studies. Using contemporary Afro-pessimist theories to provide a foundation for structural analyses of race in the Early Modern Period, it engages the arguments for race as a fluid construction of human identity by addressing how race in Early Modern England functioned not only as a marker of human identity, but also as an a priori constituent of human subjectivity. Chapman argues that Blackness is the marker of social death that allows for constructions of human identity to become transmutable based on the impossibility of recognition and incorporation for Blackness into humanity. Using dramatic texts such as Othello, Titus Andronicus, and other Early Modern English plays both popular and lesser known, the book shifts the binary away from the currently accepted standard of white/non-white that defines "otherness" in the period and examines race in Early Modern England from the prospective of a non-black/black antagonism. The volume corrects the Afro-pessimist assumption that the Triangle Slave Trade caused a rupture between Blackness and humanity. By locating notions of Black inhumanity in England prior to chattel slavery, the book positions the Triangle Trade as a result of, rather than the cause of, Black inhumanity. It also challenges the common scholarly assumption that all varying types of human identity in Early Modern England were equally fluid by arguing that Blackness functioned as an immutable constant. Through the use of structural analysis, this volume works to simplify and demystify notions of race in Renaissance England by arguing that race is not only a marker of human identity, but a structural antagonism between those engaged in human civil society opposed to those who are socially dead. It will be an essential volume for those with interest in Renaissance Literature and Culture, Shakespeare, Contemporary Performance Theory, Black Studies, and Ethnic Studies.
her PhD in Theatre and Performance Studies from the University of Pittsburgh in 2017. ... His scholarship has appeared in Theatre Journal, Stages of Resistance: Theatre and Politics in the Capitalocene, and Experiments in Democracy: ...
This collection combines the latest work from both established and emerging scholars of Black British history.
English Drama from Shakespeare to Southerne (Baton Rouge: Louisiana State University Press, 1987) and Elliot H. Tokson ... Early Modern World (New York: Routledge, 2018); Matthieu Chapman, Anti-Black Racism in Early Modern English Drama ...
11 See Farah Karim-Cooper, Cosmetics in Shakespearean and Renaissance Drama, 2nd ed. ... 'An exercise in shame: the blush in A Woman Killed with Kindness', in Affective Performance and Cognitive Science: Body, Brain and Being, ed.
2002. Shakespeare Without Women: Representing Gender and Race on the Renaissance Stage. London: Routledge. Chapman, Matthieu. 2017. Anti-Black Racism in Early Modern English Drama. London: Routledge. Classen, Constance. 2012.
I begin with Vitruvian Man because the premises and problems inherent in this figure correspond to those that inform posthumanist theory and its application to Shakespeare's works. In what follows, I will trace some of those premises ...
49 Annius of Virterbo quoted in Whitford, The Curse of Ham in the Early Modern Era, p. 62. 50 Whitford, The Curse of Ham in the Early Modern Era, p. 59. 51 For a longer discussion on this 'conflation' see the next chapter and Whitford, ...
Slavery, Servitude, and Free Service in Early Modern England Urvashi Chakravarty ... see Matthieu Chapman, Anti Black Racism in Early Modern English Drama: The Other “Other” (New York: Routledge, 2017), Chapter 4; as well as Sujata ...
Munro, Lucy, ed. The Tamer Tamed. London: Bloomsbury, 2010. ... Rippy, Marguerite H. “Commodity, Tragedy, Desire: Female Sexuality and Blackness in the Iconography of Dorothy Dandridge.” In Classic Hollywood, Classic Whiteness, ...
Mathieu Chapman, Anti-Black Racism in Early Modern English Drama: The Other 'Other' (London: Routledge: 2017), pp. 38–9. * Imirizaldu, Monjas y beatas embaucadoras, p. 54; Homza, The Spanish Inquisition, p. 171.