In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined. While difference from heterosexual norms is taken to be the multivalent sign of resistance, oppression, and self-invention, it can lead to inflated claims of the degree and power of difference. This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Ambiguity means that there are both positive and negative implications in any gender and sexuality practices, both sameness and difference from heteronormativity, and unfixed possibility in the diverse nature of discourse and practice (rather than just "difference" among fixed multiplicities). Contributors present a diverse array of approaches through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history. A wide variety of popular music genres are broached, including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and nineteenth-century minstrelsy. The authors examine the ambiguities of performance and reception, and address the vexed question of whether it is possible for genuinely new forms of gender and sexuality to emerge musically. This book makes a distinctive contribution to studies of gender and sexuality in popular music, and will be of interest to fields including Popular Music Studies, Musicology/Ethnomusicology, Cultural Studies, Queer Studies, and Media Studies.
Edinburgh: Edinburgh University Press. Rajewski, Irina. 2005. ... In Narrative Across Media: The Languages of Storytelling. Lincoln: University of Nebraska Press. ... Unruly Media: YouTube, Music Video, and the New Digital Cinema.
'Justin Timberlake's “Man of the Woods”: Lumbersexuality, Nature, and Larking Around', with Tore Størvold. In The Bloomsbury Handbook of Popular Music Video Analysis, edited by Lori Burns and Stan Hawkins, 317–336. New York: Bloomsbury.
This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or 'the' popular and what role(s) does music play in it? What is the function of the popular, and is 'pop' a system?
Aging and Popular Music in Europe Abigail Gardner and Ros Jennings Metal, Rap, and Electro in Tunisia Post-Revolution Fragile Scenes Stefano Barone Rethinking Difference in Gender, Sexuality, and Popular Music Theory and Politics of ...
reactions to Kid A, it is not surprising that reviewers concentrated on finding similarities to Radiohead's previous works and highlighted the differences. Rather than attempting a more independent genre reading like with previous ...
The Politics of Gender in Twenty-First Century Popular Music Kai Arne Hansen ... Rock Music: Culture, Aesthetics and Sociology. Trans. ... In Rethinking Difference in Gender, Sexuality, and Popular Music, edited by Gavin Lee, 131–149.
was written in response to a misquotation by the tabloid journalist Rick Sky, who credited Vince Clarke as saying “ugly bands never make it”; see Jonathan Miller, Stripped: Depeche Mode (London: Omnibus Press, 2004), 87, 97.
Saarbrücken: Pfau, 2008. Lai, Eric. “Calligraphy and Texture in Chou Wen-Chung's Music.” In Polycultural Synthesis in the Music of Chou Wen-chung, edited by Mary Arlin and Mark Radice, 86–117. New York: Routledge, 2018.
For a discussion of “ambiguity of gender,” see Gavin Less, “Introduction: From Difference to Ambiguity,” in Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity, ed.
... Daniel Cavicchi, David Pattie, Eldon Edwards, Francois Ribac, Fred Vermorel, Gary Burns, Gayle Stever, Georgina Gregory, Heikki Uimonen, Henry Jenkins, Ian Inglis, Isabel Carrera Suárez, James Goff, Jedediah Sklower, Joli Jensen, ...