The Filmmaker’s Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker’s perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location; Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots; See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.
In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker's perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and ...
Munsell designed his color model long before computers existed, but his design foreshadowed the digital age, and is indeed the basis for the HSV (Hue, Saturation, and Value) color system. Many artists prefer to perform color corrections ...
Dale Angell. Shooting. Standard. Definition. Digital. Video. at. 24P. (23.98). The 24P format was created in an effort to make digital look more like film and be more compatible with film. The 24P workflows are also derived from film ...
* An invaluable insight into the use of visual effects in film and television * Fully illustrated with diagrams to show you step-by-step techniques * Covers visual effects processes from front-of-camera to post-production * Integrated ...
This book - goes beyond theory - offers an in-depth analysis of the process involved using real life examples - examines the unique considerations faced by a producer and film maker of every part of the VFX and CG pipeline - is fully ...
This book provides independent filmmakers and VFX artists with tools to work collaboratively and effectively on their low-budget films.
The book covers techniques and solutions all VFX artists/producers/supervisors need to know, from breaking down a script and initial bidding, to digital character creation and compositing of both live-action and CG elements.
Only the compositor knows for sure. and will be changed in the digital world, and if you limit the data, you merely guarantee that it will be changed badly. I have found that the best policy is to stick with the factory presets whenever ...
From pre-production to final delivery, this is your complete guide to visual effects production, providing insight on VFX budgeting and scheduling (with actual forms for your own use) and common production techniques such as motion control, ...
Build your VFX arsenal with quick-access, step-by-step instruction on how to create today's hottest digital VFX shots.