Modernist movements radically transformed the late nineteenth- and early twentieth-century literary establishment, and their effects are still felt today. Modernism introduces and analyzes what amounted to nothing less than a literary and cultural revolution. In this fully updated, expanded, and revised third edition, charting modernism in its global and local contexts, Peter Childs: details the origins of modernism and the influence of thinkers such as Darwin, Marx, Freud, Nietzsche, Saussure and Einstein explores the radical changes which occurred in the arts, literature, drama, and film of the period traces 'modernism at work' in literature, especially in writings by a range of British, Irish, American and other Anglophone authors including James Joyce, Virginia Woolf, Samuel Beckett, Nella Larsen, Gertrude Stein, Katherine Mansfield, T. S. Eliot, and many others explains recent critical interest in the culture and worldwide impact of modernism reflects upon the shift from modernism to postmodernism. At once accessible and critically informed, Modernism guides readers from first steps in the field to an advanced understanding of one of the most important cultural phenomena of the last centuries.
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Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.
Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself.
Like a chord, modernism was more than a casual cluster of avant-garde protests; it added up to more than the sum of its ... For its part, the external history of modernism, which fits it into its environments, is quite as relevant to my ...
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades.
This volume combines a clear overview for those with no prior knowledge or experience of modernism with a subtle argument that will appeal to higher level undergraduates and scholars.
Imagism: An earlytwentiethcentury modernist movement in AngloAmerican poetry that promoted an economy of direct, clear and precise ... The modernist avant-garde of the twentieth century would come to experience this bind intensely.
The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken.
Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.
Collectively, the essays suggest that the relationship between the modern and the postmodern is not one of rupture, belatedness, dilution, or extremity, but of haunting.