This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled ‘The Real Thing’: Authenticity, covers and the canon and ‘Time Will Pass You By’: Histories and popular memory new case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swift further examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Music expanded coverage on the importance of the back catalogue and the box set; reality television and the music biopic greater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming services each chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.
Drawing on the recent work of music scholars and the popular music press, Shuker explores key subjects which shape our experience of music, including music production, the music industry, music policy, fans, audiences and subcultures, the ...
In hisquirky take on Descartes, iPod Therefore I Am,Dylan Jones (2005) celebrates the ability ofhis portable device to connect his pastmusical experiences identity, and thereby to construct a personal musical history.
With 'Key Concepts in Popular Music', Roy Shuker presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.
Max l/Veher'An Intellectual Portrait. Berkeley: University of California Press. Benjamin, Walter. 1969. Illuminations. New York: Schocken. Bennett, Andy. 2001. Cultures ofPopularMusic. Buckingham, UK: Open University Press.
First published in 1998 as Key Concepts in Popular Music by Routledge Second edition published 2005 as Popular Music ... P66 S58 2017 | DDC 781.6403—dc23 LC record available at https://lccn.loc.gov/2016044694 ISBN: 978-1-138-68092-0 ...
This introductory text provides students with a 'toolbox' of approaches for analyzing religion and popular culture.
Laing, Dave (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press. Laing, Dave (2004a) 'The three Woodstocks and the live music scene', in Andy Bennett (ed.), Remembering Woodstock.
Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work.
Understanding Theology and Popular Culture is one of the first books to give an overview of the key issues and methods in this field of study.
A reader on popular culture