European Art Cinema

European Art Cinema
ISBN-10
131757205X
ISBN-13
9781317572053
Category
Social Science
Pages
288
Language
English
Published
2016-10-14
Publisher
Routledge
Author
John White

Description

European art cinema includes some of the most famous films in cinema history. It is elite filmmaking that stands in direct opposition to popular cinema; and yet, it also has an intimate relationship with Hollywood. This guidebook sketches successive phases of art cinema in Europe from its early beginnings of putting Shakespeare’s plays on the screen, through movements such as Expressionism and Surrealism, to the New Waves of the 1960s and more recent incarnations like Dogme 95. Using film examples, John White examines basic critical approaches to art cinema such as semiotics and auteur theory, as well as addressing recurring themes and ideas such as existentialism and Christian belief. The different levels of political commitment and social criticism, which appear in many of these films, are also discussed. The book includes case studies of eight representative films: • The Cabinet of Dr Caligari (Wiene, 1920) • Earth (Dovzhenko, 1930) • A Man Escaped (Bresson, 1956) • Hiroshima mon amour (Resnais, 1959) • Aguirre, Wrath of God (Herzog, 1972) • Comrades (Douglas, 1986) • Le Quattro Volte (Frammartino, 2010) • Silence (Collins, 2012).

Other editions

Similar books

  • Beyond the Subtitle: Remapping European Art Cinema
    By Mark Betz

    James Clifford has demonstrated how an important feature of “the ethnographic surrealist attitude [is] a belief that the other (whether accessible in dreams, fetishes, or Lévy-Bruhl's mentalité primitive) was a crucial object of modern ...

  • Screening Modernism: European Art Cinema, 1950-1980
    By András Bálint Kovács

    Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European ...

  • Global Art Cinema: New Theories and Histories
    By Karl Schoonover, Rosalind Galt

    On this point, my argument is influenced by Benjamin Harshav's concept of the “frame of reference. ... of interpreting a text involves the integration of meaningful elements through the construction of various frames of reference.

  • The Euro-American Cinema
    By Peter Lev

    The second part of Lev’s study examines in detail five examples of the Euro-American art film: Contempt (1963), Blow-Up (1966), The Canterbury Tales (1972), Paris, Texas (1983), and The Last Emperor (1987).

  • Queer Bergman: Sexuality, Gender, and the European Art Cinema
    By Daniel Humphrey

    Haynes, introduction to “Far from Heaven,” “Safe,” and, “Superstar,” xii. 21. A fecund new essay has recently appeared, albeit one focused largely on films more recent than those I am concerned with here: San Filippo, ...

  • Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema
    By Alison Taylor

    Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Troubled Everyday offers the first detailed examination of the relationship between violence and the ...

  • The Legacy of World War II in European Arthouse Cinema
    By Samm Deighan

    This book focuses on European war films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself.

  • The Routledge Companion to European Cinema
    By Susan Hayward, Gábor Gergely

    Peralta García, L. (2016) Los nuevos héroes del siglo XXI: Las migraciones subsaharianas vistas por el cine enEspaña y África, Barcelona, Editorial UOC. Rodríguez Medano, F. & de Felipe, H. (eds) (2002) El protectorado español en ...

  • Queer Bergman: Sexuality, Gender, and the European Art Cinema
    By Daniel Humphrey

    Queer Bergman makes a bold and convincing argument that Ingmar Bergman’s work can best be thought of as profoundly queer in nature.

  • Mobility and Migration in Film and Moving Image Art: Cinema Beyond Europe
    By Nilgun Bayraktar

    Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.