Nicholas Haeffner provides a comprehensive introduction to Alfred Hitchcock's major British and Hollywood films and usefully navigates the reader through a wealth of critical commentaries. One of the acknowledged giants of film, Hitchcock's prolific half-century career spanned the silent and sound eras and resulted in 53 films of which Rear Window (1954), Vertigo (1958) and Psycho (1960) are now seen as classics within the suspense, melodrama and horror genres. In contrast to previous works, which have attempted to get inside Hitchcock's mind and psychoanalyse his films, this book takes a more materialist stance. As Haeffner makes clear, Hitchcock was simultaneously a professional film maker working as part of a team in the film factories of Hollywood, a media celebrity, and an aspiring artist gifted with considerable entrepreneurial flair for marketing himself and his films. The book makes a case for locating the director's remarkable body of work within traditions of highbrow, middlebrow and lowbrow culture, appealing to different audience constituencies in a calculated strategy. The book upholds the case for taking Hitchcock's work seriously and challenges his popular reputation as a misogynist through detailed analyses of his most controversial films.
Profiles the life and accomplishments of the British filmmaker known for his distinctive style of directing and his films that featured suspenseful and surprising plots.
The Albert Hall sequence is perfectly balanced and in fact fulfilled by the episode at the embassy which follows immediately; in Man-1, the concert was followed by an annoyingly anticlimactic shoot-out. Herc, Hank is locked in an ...
Meet the inventor of modern horror. This complete guide to the Hitchcock canon is a movie buff's dream: from his 1925 debut The Pleasure Garden to 1976's swan song Family Plot, we trace the filmmaker's entire life and career.
In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world.
With insights into his relationships with Hollywood legends – such as Cary Grant, James Stewart, Ingrid Bergman, and Grace Kelly – as well as his 54-year marriage to Alma Reville and his inspirations in the thriller genre, the book is ...
... and Denny Bartlett, Len Hendry, Mike Mahoney, Alan Lee, Anthony Warde, Harry Landcrs, Dick Simmons, Fred Graham, Edwin Parker, M. English, Kathryn Grandstaff, Havis Davenport, Iphigenie Castiglioni, Sara Berner, Frank Cady.
This work discovers Hitchcock's early talent and skill through close readings of the films from The Pleasure Garden to the silent version of Blackmail, using shot-by-shot descriptions and interpretations.
There was one ominous notation on the call sheet for 24 September, with a reference to “Mr. Finch late and shooting held up from 9:45 to 10:50.” It has been said that Hitchcock made Finch apologise to each member of the cast, ...
This volume provides a fresh examination of Rear Window from a variety of perspectives.
For this book, Whitty draws on primary-source materials such as interviews he conducted with associates of the director—including screenwriter Jay Presson Allen (Marnie), actresses Eva Marie Saint (North by Northwest) and Kim Novak ...