The Routledge Companion to Puppetry and Material Performance offers a wide-ranging perspective on how scholars and artists are currently re-evaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its 28 chapters aim to advance the study of the puppet not only as a theatrical object but also as a vibrant artistic and scholarly discipline. This Companion looks at puppetry and material performance from six perspectives: theoretical approaches to the puppet, perspectives from practitioners, revisiting history, negotiating tradition, material performances in contemporary theatre, and hybrid forms. Its wide range of topics, which span 15 countries over five continents, encompasses: • visual dramaturgy • theatrical juxtapositions of robots and humans • contemporary transformations of Indonesian wayang kulit • Japanese ritual body substitutes • recent European productions featuring toys, clay, and food. The book features newly commissioned essays by leading scholars such as Matthew Isaac Cohen, Kathy Foley, Jane Marie Law, Eleanor Margolies, Cody Poulton, and Jane Taylor. It also celebrates the vital link between puppetry as a discipline and as a creative practice with chapters by active practitioners, including Handspring Puppet Company’s Basil Jones, Redmoon’s Jim Lasko, and Bread and Puppet’s Peter Schumann. Fully illustrated with more than 60 images, this volume comprises the most expansive English-language collection of international puppetry scholarship to date.
Adrian Jackson and Candia Blaker, London: Routledge. —— (2002) Games forActors and Non-Actors, trans. Adrian Jackson, 2nd edition, London: Routledge. Bottoms, Stephen, J. (2003) 'The Efficacy/Effeminacy Braid: Unpicking the Performance ...
This volume provides an introduction to the significant people, events, concepts and practices that have defined the complementary fields of theatre and performance studies.
The Broadview Anthology of 19C British Performance. Peterborough: Broadview. Davis-Fisch, Heather. 2012. Loss and Cultural Remains in Performance: The Ghosts of the Franklin Expedition. New York: Palgrave. ... The Souls of Black Folk.
His book on this subject — Kinesthetic Spectatorship in the Theater: Phenomenology, Cognition, Movement – will be published in 2018 as part of its series Cognitive Approaches to Literature and Performance. Professor Garner's essays and ...
This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth.
Bringing readers forward into the first Star Wars live-action streaming series, the book also explores how the early 2020s stories centered material characters in particularly meaningful, often redemptive ways.
... practice and scholarly life, I have been surprised to find that when working closely with other Irish dancers, rehearsing dance projects in the studio and performing them on stage, our journey often begins with slightly different ...
... puppetry as a way of thinking about objects performed within varying ... performance of particular arts. Works. cited. Arnoldi, M. J. (1995) Playing with Time ... The Routledge Companion to Puppetry and Material Performance. London and New ...
The word dozoku (土俗) might be translated into English as “folk,” “local,” or “local customs.” However, the Japanese language already has the word minzoku (民俗), which has a nuance closer to “folk,” and a homonym minzoku (民族), ...
Performing Exile—Performing Self: Drama, Theatre, Film. Basingstoke: Palgrave. ———. 2017. ... The Journal of Contemporary Drama in English 6 (1): 113–130. ... Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain.