Given Herzog’s own pronouncement that ‘film is not the art of scholars, but of illiterates,’ it is not surprising that his work has aroused ambivalent and contradictory responses. Visually and philosophically ambitious and at the same time provocatively eccentric, Herzog’s films have been greeted equally by extreme adulation and extreme condemnation. Even as Herzog’s rebellious images have gained him a reputation as a master of the German New Wave, he has been attacked for indulging in a romantic naiveté and wilful self-absorption. To his hardest critics, Herzog’s films appear as little more than Hollywood fantasies disguised as high seriousness. This book is an attempt to illuminate these contradictions. It gathers essays that focus from a variety of angles on Herzog and his work. The contributors move beyond the myths of Herzog to investigate the merits of his work and its place in film history. A challenging range of films is covered, from Fata Morgana and Aguirre, the Wrath of God to more recent features such as Nosferatu and Where the Green Ants Dream, offering the reader ways of understanding why, whatever the controversies surrounding Herzog and his films, he remains a major and popular international filmmaker. Orignally published in 1986.
This is the Herzog-typical irrational element, which leaves the viewer impressed, but leaves him/her with more questions than answers. 1 Sandford, John: The New German Cinema. (London: 1980); p. 48 2 ibid.; p. 48
It is the main achievement of this anthology, expertly put together by Brad Prager, to highlight these connections with rich and insightful articles on Herzog and painting, photography, opera, geography, documentary, and the essay film.
Drawing on over 35 films, this book explores his continuing search for what he has described as the 'ecstatic truth'
One of the most revered filmmakers of our time, Werner Herzog wrote this diary during the making of Fitzcarraldo, the lavish 1982 film that tells the story of a would-be rubber baron who pulls a steamship over a hill in order to access a ...
This collection features the best of these, focusing on all the major films, from Signs of Life and Aguirre, the Wrath of God to Grizzly Man and Cave of Forgotten Dreams. When did Herzog decide to become a filmmaker?
I do not follow ideas, I stumble into stories or into people; and I know that this is so big, I have to make a film.
Books in the series Contemporary Film Directors Nelson Pereira dos Santos Darlene J. Sadlier Abbas Kiarostami Mehrnaz Saeed-Vafa and Jonathan Rosenbaum Joel and Ethan Coen R. Barton Palmer Claire Denis Judith Mayne Wong Kar-wai Peter ...
Werner Herzog came to fame in the 1970s as the European new wave explored new cinematic ideas.
The book also brings together other essays, letters, and interviews, including a letter Ebert wrote Herzog upon learning of the dedication to him of “Encounters at the End of the World;” a multifaceted profile written at the 1982 Cannes ...
Newly repackaged as a Penguin paperback, Conquest of the Useless, the legendary filmmaker Werner Herzog's diary of the making of Fitzcarraldo, one of his most revered and classic films In 1982, the visionary directory Werner Herzog released ...